V. The “Public” Haydn 1780s-1809
1780
April: first Artaria publication: Keyboard Sonatas, Hob. XVI:20, 35-39, dedicated to Maria Katharina & Franziska Auenbrugger.
Symphonies (Hob. I): possibly 62, 74, 75.
La fedeltà premiata (dramma pastorale giocoso; Hob. XXVIII:10) opens rebuilt opera house at Eszterháza.
1781
Haydn establishes publishing contract in London with Forster.
String Quartets, Op. 33 (Hob. III:37-42), incl. no. 2 ('Joke') , and no. 3 ('Bird').
Symphonies (Hob. I): 73 'La Chasse'.
1782
Haydn establishes publishing relationships in Paris with Boyer, Nadermann and Imbault firms.
Symphonies (Hob. I): 76-78.
Missa Cellensis in C ('Mariazellermesse'; Hob. XXII:8).
Orlando Paladino (dramma eroicomico; Hob. XXVIII:11).
1783
Future Nicolaus II marries Princess Marie Josepha Hermenegild von Liechtenstein (1768-1845).
It is possibly this year that Haydn begins friendship with Wolfgang Amadeus Mozart (1756-1791).
Keyboard Sonata, Hob. XVI:43 published (composed 1775?).
Cello Concerto in D (Hob. VIIb:2).
Armida (dramma eroico; Hob. XXVIII:12).
1784
Comte Claude-François-Marie Rigoley d’Ogny (1757-1790) commissions Haydn for six symphonies for the Paris Concerts de la Loge Olympique.
Symphonies (Hob. I): 79-81.
“Boßler” Keyboard Sonatas, Hob. XVI:40-42 published; dedicated to Princess Marie Hermenegild Esterházy.
1785
January: Haydn joins Freemason lodge Zur wahren Eintracht (True Concord).
Cádiz commissions Haydn for music for Good Friday service (Seven Last Words of Our Savior on the Cross).
String Quartet, Op. 42 (Hob. III:43).
Piano Trios, Hob. XV:5-10
1785-6
Symphonies (Hob. I): 'Paris' Symphonies 82 ('L'Ours'), 83 ('La Poule'), 84, 85 ('La Reine'), 86, 87.
1786
Seven Last Words of Our Savior on the Cross (orchestral version; Hob. XX:1) completed (f.p. 1787).
1787
Johann Elßler (1769-1843), son of Joseph Elßler, Sr., begins working as Haydn’s copyist and factotum.
'Prussian' String Quartets, Op. 50 (Hob. III:44-49), incl. no. 6 ('Frog').
Symphonies (Hob. I): 'Tost' Symphonies 88, 89.
Seven Last Words of Our Savior on the Cross (quartet version; Hob. XX:3).
1788
Haydn purchases a Schanz fortepiano.
'Tost' String Quartets, Op. 54/55 (Hob. III:57-62).
Symphonies (Hob. I): 'd’Ogny' Symphonies 90, 91.
1789
Haydn befriends aristocrat Maria Anna von Genzinger (1750-1793), with whom he would correspond until her death.
Symphonies (Hob. I): 92 ('Oxford')
Piano Sonatas, Hob. XVI:48-49; no. 49 dedicated to Maria Anna von Genzinger.
Piano Trios, Hob. XV:11-14.
1790
20 February: Nicolaus I dies. Prince Anton Esterházy (1738-1794) assumes throne. Prince Anton disbands cappella, retaining only Haydn, Tomasini and a harmonie ensemble. Given his diminished duties, Haydn is able to travel and compose much more freely.
'Tost' String Quartets, Op. 64 (Hob. III: 63-68), incl. no. 5 ('Lark').
Piano Trios, Hob. XV: 15-17 (flute instead of vln).
December: violinist and impresario Johann Peter Salomon (1745-1815) meets Haydn in Vienna. 8 December he dispatches a letter to London newspapers announcing that Haydn will accompany him to London. On the way to London Haydn and Salomon stop in Salomon’s hometown of Bonn, and Haydn meets Ludwig van Beethoven (1770-1827).
1791
1 January: Haydn arrives at Dover.
2 January: Haydn arrives in London.
June: Haydn attends Handel Commemoration concert at Westminster Abbey.
8 July: Haydn awarded honorary Doctor of Music by Oxford University. Symphony No. 92 ('Oxford') is performed as part of the festivities.
Soon after arriving in London, Haydn becomes acquainted with the Prince of Wales (future King George IV) and the Duke of York, both proponents of “new” music. Haydn would attend many salons hosted by the royal families, including one on 10 April 1795, two days after the wedding of the Prince of Wales to Princess Caroline of Brunswick.
L’anima del filosofo (dramma per musica; Hob. XXVIII:13). Not performed during Haydn’s lifetime.
1791-2
Symphonies (Hob. I): 'London' Symphonies 93, 94 ('Surprise', 'mit dem Paukenschlag'), 95, 96 ('Miracle'), 97, 98.
Sinfonia Concertante (Hob. I:105).
1792
Haydn meets physician John Hunter (1728-1793) and his wife Anne Hunter (née Home, 1742-1821), who was an accomplished poet and hostess of a popular salon which she discontinued following her husbands death in 1793. Haydn set several of Anne Hunter’s poems to music in his two sets of English Canzonettas (Hob. XXVIa:25-36).
July: Haydn returns to Vienna.
The Storm (cantata; Hob. XXIVa:8)
1793
Haydn purchases house in Gumpendorf, a suburb of Vienna.
'Apponyi' String Quartets, Op. 71/74 (Hob. III:69-74)
1793-4
Piano Trios, Hob. XV:18-20, 32
1794
January: Haydn returns to London.
22 January: Prince Anton dies, replaced by son Prince Nicolaus II (1765-1833). Married to Marie Josepha Hermenegild von Liechtenstein (1768-1845). Nicolaus II renovates Eisenstadt Palace.
Haydn establishes publishing relationships with both Longman & Broderip and Corri & Dussek in London.
“London” Trios for 2fl, vcl (Hob. IV: 1-4)
1794-5
Symphonies (Hob. I): 'London' Symphonies 99, 100 ('Military'), 101 ('Clock'), 102, 103 ('Drumroll'), 104 ('London').
“London” Piano Sonatas, Hob. XVI:50-52 (publ. 1798); dedicated to London pianist Therese Jansen (1770-1843).
Piano Trios, Hob. XV:21-26, 31.
1795
Haydn meets several members of the English royal family, including King George III.
Haydn acquires a Longman & Broderip grand piano, possibly as a gift from the firm.
10 April: Haydn attends celebration of the wedding (8 April) of the Prince of Wales to Princess Caroline of Brunswick. King George III and Queen Charlotte (Mecklenburg-Strelitz) suggest that Haydn remain in London, even offering Haydn the use of the royal apartments for the summer. Haydn declined.
4 May: concert given for Haydn’s benefit. A reviewer from the Morning Chronicle wrote the next day: “A Gentleman, eminent for his musical knowledge, taste, and sound< criticism, declared this to be his opinion, that for fifty years to come Musical Composers would be little better than imitators of Haydn, and do little more than pour water on his leaves. We hope the prophecy may prove false, but probability seems to confirm the prediction.”
15 August: Haydn leaves London for last time.
Berenice, che fai? (cantata; Hob. XXIVa:10).
1796
Haydn begins relationship with Baron Gottfried van Swieten (1733-1803), Imperial Librarian and leader of the Vienna Gesellschaft der Associirten.
Breitkopf & Härtel becomes Haydn’s principal publisher. Seven Last Words of Our Savior on the Cross (oratorio version; Hob. XX:2).
Trumpet Concerto in E-flat (Hob. VIIe:1).
Piano Trios, Hob. XV:27-30; dedicated to Therese Jansen.
Missa in tempore belli in C ('Paukenmesse'; Hob. XXII:9).
Missa Sancti Bernardi d’Offida in B-flat ('Heiligmesse'; Hob. XXII:10).
1796-8
The Creation (Die Schöpfung, oratorio; Hob. XXI:2).
1797
Haydn is made a lifetime member of the Vienna Tonkünstler Societät.
'Erdödy' String Quartets, Op. 76 (Hob. III:75-80), incl. no. 2 ('Fifths'), no. 3 ('Emperor'), and no. 4 ('Sunrise').
1798
The Creation receives its first private performance at the Schwarzenberg palace.
Missa in angustiis in D minor ('Nelsonmesse', 'Imperial mass', 'Coronation mass'; Hob. XXII:11).
1799
19 March: first public performance of The Creation at the Burgtheater.
October: George Thomson (1757-1851) first contacts Haydn about setting British and Scottish folk songs.
Haydn is first visited by biographer Georg August Griesinger (1769-1845), an agent of Breitkopf & Härtel, as the publishing firm begins its Ouvres complettes de Joseph Haydn. Griesinger publishes Biographische Notizen über Joseph Haydn in 1810.
'Lobkowitz' String Quartets, Op. 77 (Hob. III:81-82).
Missa in B-flat ('Theresienmesse'; Hob. XXII:12).
'Marie Therese' Te Deum in C (Hob. XXIIIc:2).
Bergkirche, Eisenstadt
1799-1801
The Seasons (Die Jahreszeiten, oratorio; Hob. XXI:3).
1800
20 March: Haydn’s wife Maria Anna dies.
1801
24 April: first private performance of The Seasons at the Schwarzenberg palace.
19 May: first public performance of The Seasons at the Redoutensaal.
Missa in B-flat ('Schöpfungmesse'; Hob. XXII:13)
1802
Michael Haydn offered position of Esterházy court composer; turns it down.
Missa in B-flat ('Harmoniemesse'; Hob. XXII:14); last major composition.
1805
Albert Christoph Dies (1755-1822) begins his interviews (until 1808) with Haydn for his Biographische Nachrichten von Joseph Haydn, which is published in 1810.
1806
27 March: Haydn makes last public appearance at a performance of The Creation at the old university in Vienna, under the direction of Antonio Salieri (1750-1825).
Michael Haydn dies in Salzburg.
1807
Prince Nicolaus II commissions Beethoven for a Mass (Mass in C, f.p. in Bergkirche).
1809
Napoleon lays siege to Vienna; guards posted outside Haydn’s Gumpendorf house to protect him and his property.
31 May: Haydn dies.
