NTID Performing Arts and RIT College of Liberal Arts announce 2019-2020 joint theatrical season

Poster with five program names and descriptions with graphics for each.

NTID Performing Arts and RIT College of Liberal Arts have announced their 2019-2020 joint theatrical season. The plays and dance performance present a wide array of cultural, political, and social issues. Two productions will be presented on the Panara stage, two productions will be performed in 1510 Theatre Lab, and one production will be performed in the Booth Black Box. The season includes:

I and You
Play by Lauren Gunderson
Directed by Andy Head
October 25-27, 2019
1510 Lab Theatre, LBJ Building

One afternoon, Anthony arrives unexpectedly at classmate Caroline’s door bearing a beat-up copy of Walt Whitman’s “Leaves of Grass,” an urgent assignment from their English teacher. Homebound due to illness, Caroline hasn’t been to school in months, but she is as quick and sardonic as Anthony is athletic, sensitive, and popular. As these two let down their guards and share their secrets, this seemingly mundane poetry project unlocks a much deeper mystery that has brough them together. I and You is an ode to youth, life, love, and the strange beauty of human connectedness.

People of the Third Eye
Directed by Patti Durr and Karen Christie
November 15-17, 2019
Robert F. Panara Theatre

The show will be a unique work showcasing slices of Deaf lives—both contemporary and historical. Created collaboratively by the cast members, audiences will be treated to various genres of ASL performance art—poetry, narrative personal experiences, creative storytelling, reenactment of historical events, as well as dramatic monologues and dialogues. Woven into the action on stage will be film clips and live painting. Bookending the play will be a contemporary encounter with a well-known historical Deaf figure who still has much to teach us.

Dial M for Murder
Written by Frederick Knott
Directed by Luane Davis-Haggerty
February 28-March 1, 2019
Robert F. Panara Theatre

Tony Wendice has married his wife, Margot, for her money and now plans to murder her for the same reason. He arranges the perfect murder. Tony blackmails a scoundrel he used to know into strangling Margot for a fee of one thousand pounds. He also arranges a brilliant alibi for himself. Unfortunately…the murderer gets murdered and the victim survives. But this doesn’t baffle the husband: He sees his hireling’s death as an opportunity to have his wife convicted for the murder of the man who tried to murder her, and that is what almost happens. Luckily, the police inspector from Scotland Yard and a young man who is in love with the wife discover the truth, and in a scene of almost unbearable suspense they trap the husband into revealing his guilt, thus freeing Margot.

Bent
Written by Martin Sherman
Directed by Matthew Nicosia
March 27-29, 2020
BOO-A428, Booth Black Box, Booth Building

In 1934 Berlin on the eve of the Nazi incursion, Max, a grifter, and his lover Rudy are recovering from a night of debauchery with an SA trooper. Two soldiers burst into the apartment and slit their guest’s throat, beginning a nightmare odyssey through Nazi Germany. Ranked lower on the human scale than Jews, the men as avowed homosexuals, flee. Desperate and on the run, Max asks his own “discreetly” homosexual Uncle Freddie for help, the older man offers little more than suggestions on how to live, as he does, practicing homosexuality on the side. Attempting their escape, Rudy is beaten to death as Horst, another homosexual prisoner, warns Max to deny his lover. Taken to a death camp at Dachau, Max and Horst branded with the “pink triangle,” hope to survive with each other for comfort and courage, but it is not to be. Richard Gere created the role of Max on Broadway.

The Rhythm of Motion and Light (dance)
Conceived and Directed by Thomas Warfield
April 17-19, 2020
Robert F. Panara Theatre

Dance: The Rhythm of Motion and Light is a multi-arts, multi-experiential dance performance utilizing innovative collaborations with new technologies and live music for a concert in spring 2020. The performance will include: the use of AR (Augmented Reality – blending physical world with virtual content over-layed), dancers with hidden mini-cameras on their bodies adding to the layers of compositional substance, manipulation of visual texture - using ‘cellograph’ (where cellophane is stretched across structured frames and painted on). Another innovative concept will be choreography created from multiple forms of technology itself – instead of adding technology to what is already choreographed, the dance will be molded from the technology – the way a choreographer might choreograph to music. This production will be a true spectacle of color, light, movement and music, designed to expand the confines of dance and present a more fluid and integrated expression of technology.

For more information on the entire season, please visit: https://www.rit.edu/cla/finearts/theatrearts/cla-ntid-19-20-theatrical-season.

TICKET INFORMATION
On-site: RIT University Arenas, 200 Lomb Memorial Drive, Rochester NY 14623
Website: www.rittickets.com
By phone: 585-475-4121
Prices:
$5.00 for Student, Senior (60+), and Children under age 12
$10.00 for RIT Faculty/Staff/Alumni
$12.00 for General Public
Tickets also will be available on performance days two hours prior to curtain.

**For Bent: this play is not appropriate for children under 12. **

ROBERT F. PANARA LOCATION
National Technical Institute for the Deaf
Lyndon Baine Johnson (LBJ) Hall (Building 60)
52 Lomb Memorial Drive
Rochester, New York 14623

Free parking is available in Lot L.

BOOTH BLACK BOX LOCATION
Rochester Institute of Technology
James E. Booth (BOO) Hall (Building 7A)
Rochester, New York 14623

Free parking is available in Lot E, F, G, and H.

ABOUT ROBERT F. PANARA THEATRE
The Robert F. Panara Theatre is named in honor of Dr. Robert Panara, RIT’s first Deaf professor and founder of the NTID Drama Club. A 460-seat auditorium, the theater has played host to numerous guest artists such as Mikail Baryishnikov; Jane Fonda; Louise Fletcher; Marlee Maitlin; the National Theatre of the Deaf; Phyllis Frelich; Bernard Bragg; Patrick Graybill; Howie Seago; Cleveland SignStage; Annabelle Gamzon; Garth Fagan Dance; Hartford Ballet; Foreigner; Emerson, Lake and Palmer; Sean Forbes; American Deaf Dance Company; Alvin Ailey American Dance Theatre; Danielle Ponder; and many others. The theater opened its doors on October 3, 1974, with a production of Shakespeare’s Taming of the Shrew. Originally called the Experimental Educational Theatre (EET), the theater program has a rich heritage of offering challenging, entertaining, and provocative works, all created for both Deaf and hearing audiences. We have produced work in a wide variety of theater styles; Comedy, Musical, Dance, Drama, Classical, Kabuki (Japanese), Experimental, Puppets, and new works by both Deaf and hearing authors.

BOOTH BLACK BOX
The Booth Black Box is a smaller space located on the lower level of James E. Booth (BOO) Hall in room A428. The space serves as a venue for a variety of experimental and intimate productions.

Current season productions at RIT include:

Wednesday, February 6, 2019 - 6:30pm
Wednesday, March 20, 2019 - 6:30pm
Wednesday, April 17, 2019 - 6:30pm
Friday, April 19, 2019 - 7:30pm

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