History
At the conclusion of the 1986-87 school year, Professors William DuBois and Michael Peres were analyzing the successes and failures of the recently completed academic year. In discussing the teaching of electronic flash photography and problem solving to the second year students in the Biomedical Photography program, it was decided that a painting with light project might be useful and fun for the following year. The idea was inspired by a similar project sponsored by the Sylvania Corporation, which they called the Big Shot. The Sylvania Big Shot was produced in the 1950’s as a promotional project for their flash bulb products. During the course of this project numerous subjects were photographed including Lambert Field, Levitown, New York, the Canton Football Hall of Fame as well the Khufu Pyramid shown below. The Sylvania project wired thousands of their bulbs together and at one instance, when all cameras were open, they would be triggered simultaneously which caused an exposure. People from all over the area would be invited to watch and Sylvania of course made a photograph of the important event. Miles of wire was required to connect the bulbs to the triggering system.

1959 Sylvania Big Shot
Great Pyramid of Khufu

In December of 1987, the Biomedical Photography department produced the first RIT Big Shot of the Highland Hospital, in downtown Rochester, New York. Dawn Tower-DuBois operated a single 4 x 5 camera loaded with B & W negative film. 37 students and friends of the department attended that event and so began what has become an
annual tradition.

The basic principles of the project are quite simple. The picture is made at night using either hand-held electronic flash units or flashlights. When the camera shutter is opened, participants "paint" the subject with light during a timed exposure. Lights are aimed randomly across the scene and the exposure is created over time rather than as a result of one large discharge. All exterior lights are turned off when possible to avoid overexposure, while all interior lights are left on to provide illumination from inside to create a photograph that is both unique and a community event. The lighting is very non-directional when produced this way and often results in a very shadowless quality in certain regions of the scene.

 

 

George Eastman House
International Museum of Photography
before light painting

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George Eastman House
International Museum of Photography
after light painting