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Minor-Mode Sonata-Form Dynamics in Haydn’s String Quartets
by Matthew J. Hall

In “Minor-Mode Sonata-Form Dynamics in Haydn’s String Quartets,” Matthew Hall examines general compositional strategies common in the minor mode but not found in the major, as well as idiosyncratic approaches to common, specifically minor-mode compositional problems.

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Articles from Previous Volumes

Volume 8.2 (Fall 2018) Articles
Another Look at Chromatic Third-Related Key Relationships in Late Haydn: Parallel Keys and Remote Modulation in Selected String Quartet Minuets by James MacKay
Storace’s Collection of Original Harpsichord Music as a Harbinger of Modernity by Allan Badley
Volume 8.1 (Spring 2018) Articles
Haydn as a Man of Feeling: The Affect of Refined Sentiment in Selected Slow Movements of Haydn’s String Quartets by Eloise Boisjoli
Volume 7.2 (Fall 2017) Articles
In Search of Haydn (Seventh Art Productions, 2015): Deconstructing the Documentary by Nancy November
End Games: Haydn’s and Beethoven’s Play with Endings in their Opp. 33 no. 2s. by James K. Palmer
Volume 7.1 (Spring 2017) Articles
Trimodular Block Strategies in Haydn’s Sonata Movements by Samantha M. Inman
Volume 6.2 (Fall 2016) Articles
Teaching Topics with Haydn (alongside that Other Guy) by Melanie Lowe
Teaching Topics with Haydn (alongside that Other Guy)  by Melanie Lowe
Volume 6.1 (Spring 2016) Articles
Generating STEAM: Haydn and the Arts in General Education at a “Career-Oriented” Institute of Technology by Michael E. Ruhling
Eighteenth-Century Music in a Twenty-First Century Conservatory of Music or Using Haydn to Make the Familiar Exciting by Mary Sue Morrow
Haydn as a London “Star:” Thoughts on Using Material Culture to Teach Eighteenth-Century Music at a Liberal Arts College by Vanessa L. Rogers
Volume 5.2 (Fall 2015) Articles
Beautiful Haydn by Nancy November
Volume 5.1 (Spring 2015) Articles
A Portait of Nicolaus Esterházy, the “Good Prince” (1714-1790), Commemorating His 300th Birthday by János Malina
Volume 4.2 (Fall 2014) Articles
Larsen’s Legacy: The Three-Part Exposition and the New Formenlehre by Nathan John Martin
Remembering Christopher Hogwood (1941-2014) by Michael E. Ruhling
Volume 4.1 (Spring 2014) Articles
The Expositions of Haydn’s String Quartets: A Corpus Analysis by Evan Cortens
Sonata Form Experimentation in Joseph Haydn’s String Quartets, Opus 17 by James MacKay
The Use of Minor Mode and Playing With Sonority in the Expositions of Haydn’s String Quartets, Opp. 9 and 17 by Adem Merter Birson
Listening for Tertiary Rhetoric in Haydn’s Op. 77 String Quartets by Floyd Grave
Unisons in Haydn’s String Quartets by Mary Hunter
Volume 3.2 (Fall 2013) Articles
The Farewell Symphony Between Paris and Russia by John A. Rice
More than a copy: Joseph Haydn’s Menuet al roverso in context by Balázs Mikusi
Haydn and the Analysis Wars: A View from the Sidelines by Mary Sue Morrow
On Not Inviting Difficulties in Haydn’s Symphonies by Benjamin Korstvedt
Sonata Form Problems by Jens Peter Larsen (1963), as translated by Jerald C. Graue (1978)
Volume 3.1 (Spring 2013) Articles
"Begin at the Beginning": Milton, Handel, Haydn, and the Origins of The Creation by John Rogers
Creating Chaos In Haydn's Creation by Melanie Lowe
Haydn and The Creation in Buda, March 1800 by János Malina
Volume 2.2 (Fall 2012) Articles
Hepokoski and Darcy’s Haydn by Alexander Ludwig
Volume 2.1 (Spring 2012) Articles
Two Composers and a Cellist: Haydn, Hofmann, and Joseph Weigl by Allan Badley
Reviving the Classic, Inventing Memory: Haydn’s Reception in Fin-de-Siècle France by Jess Tyre
The London Pianist: Theresa Jansen and The English Works of Haydn, Dussek, and Clementi by Katelyn Clark
Volume 1.1 (Spring 2011) Articles
The Technique of Chromatic Completion in Haydn’s Late Masses by Edward Green
Haydn’s Farewell Symphony - the Musical Aftermath of an Anecdote by Christine Siegert