FNRT 110 - Intro to Music (Does not count towards Music Immersion or Minor)

An introduction to music as a fine art. Students develop skills in listening, evaluation and analysis through an examination of music’s forms, constituent elements, and its cultural, stylistic and historical development.  Class 3, Credit 3 (S)

FNRT 201 - Music in the US

This course is a survey of music in the United States from the time of European colonization to the present.  Particular emphasis is placed upon the question of what makes music distinctively American. Class 3, Credit 3 (S)

FNRT 202 - Studies in World Music

A course designed to explore selected music cultures from North America, South America, Africa, India, Asia, East Asia, and Central and Southeastern Europe.  The primary goal of the course will be to expand understanding of and perceptions about music both outside and within Western cultural traditions.  In addition to class discussions, students will have opportunities for hands-on activities associated with the cultures studied.  Class 3, Credit 3 (F)

FNRT 203 - American Popular & Rock Music

This course examines the history and elements of Popular & Rock music in the United States from the end of the 19th century to current times. Emphasis will be placed on the music that was written and performed after WWII. Students will be introduced to various styles of this genre as well as an introduction to those musical elements necessary to define a rudimentary analysis of the music. Among the composers and performers to be studied are early Minstrel performers, Louis Armstrong, Scott Joplin, George Gershwin, Blues musicians, Benny Goodman, Frank Sinatra, R and B musicians, country and western, Elvis Presley, Motown, Ray Charles, folk, Jimi Hendrix, disco, punk, metal, grunge and pop. This course will be offered only occasionally.  Class 3, Credit 3 (S)

FNRT 204 - Music and the Stage

A historical and cultural survey of collaboration between the arts of music and theatre, focusing on a selection of significant creative products that combine music and drama.   Possible works studied include those by Shakespeare, Monteverdi, Molière, Mozart-Daponte, John Gay, Beethoven-Goethe, Wagner, Puccini, Brecht-Weill, and Bernstein, spanning the genres of Renaissance tragedy and comedy, opera seria, opera buffa, ballad opera, incidental music, Romantic drama, Italian opera, music-drama, epic theatre, cabaret, vaudeville, and musical comedy. Class 3, Credit 3 (F)

FNRT 205 - Music Theory 1

This course is designed for the student who has basic musical literacy (ability to read music notation). In addition to the writing of melody, two-part counterpoint and four-part harmony, some attention will be given to the analysis of form and style. Because it is important that theoretical understanding be coordinated with musical application, time will be devoted to the development of musicianship. Consideration will be given to individual skills and abilities, hopefully allowing for the maximum development of each student. (Elementary music reading ability)  Class 3, Credit 3 (F)

FNRT 208 - Composing for Media

Composing for Visual Media will guide the student through the process of creating original music to accompany a visual medium. The course begins by focusing on the aesthetics, terminology, procedures, and technical aspects of film scoring. As the course progresses, the skills acquired will progress towards a class project of scoring a short film or animation. By using a broad range of techniques including click tracks, spotting, scoring under dialogue, free timing, and the creative use of overlap cues, students will learn how to develop a dramatic concept for a score and how to synchronize it seamlessly to visual events. This course is applicable to musicians interested in scoring music to visual media. While no previous film scoring experience is required, a fundamental knowledge and background in music is essential. Besides a good ear for music, a more-than-functional ability with MIDI sequencing, via DAW—a proficiency in the use of sample libraries and audio plug-ins and basic audio mixing—is expected. The ability to read and notate music will also enhance the learning experience. Entrance to the class requires instructor permission. Class 3, Credit 3 (S)

FNRT 210 - Bach, Handel, and the Baroque

European society experienced many changes during the late 16th through the early 18th centuries, and music’s role and development within the context of these changes was varied, and profound.  This course explores the creation and performance of music within the context of European cultural, religious, political and artistic ideals from 1580 to 1750, culminating in in-depth discussion of the life and works of J. S. Bach and G. F. Handel.  Part of the music immersion and minor, and music & technology minor; may also be taken as a liberal arts elective. Class 3, Lab X, Credit 3

FNRT 211 - Era of Haydn, Mozart, and Beethoven

Many of the characteristics of art music up to the present day have their beginnings in the late eighteenth century.  This course explores the creation and performance of music within the context of European cultural, political and artistic ideals from 1740 to 1825, with particular attention given to the works of Haydn, Mozart, and Beethoven.  Part of the music immersion and minor, and music & technology minor; may also be taken as a liberal arts elective. Class 3, Lab X, Credit 3

FNRT 250 - RIT Singers

The RIT Singers is an experiential-learning course in which students learn music theory and historical context by learning pieces from the 16th century to the present and performing them at three major concerts a year.  Participation in learning and performing such music gives students an experiential appreciation and understanding of the role of music in modern society.  In addition, students from the RIT Singers have opportunities to sing in a variety of small vocal ensembles.  Auditions will be held to assess proper placement.  Contact instructor for more information. Class 1, Credit 1 (F, S)

FNRT 251 - RIT Orchestra

Preparing for and performing concerts of orchestral repertoire offer students the opportunity to broaden their knowledge of and appreciation for music, and its role in society, through the careful analysis of musical forms and ideas, and the comparison of exemplary works from a variety of times, places and social/cultural necessities.   The RIT Orchestra performs three major concerts a year of orchestral repertoire from the 16th century to the present. Students from the RIT Orchestra also have the opportunity to play in a variety of chamber music ensembles.  Participation is by audition. Class 1, Credit 1 (F, S)

FNRT 252 - RIT Concert Band

The RIT Concert Band is an experiential-learning course in which students learn music theory and historical context by learning several works from the Concert Band literature including standard wind band literature, contemporary compositions, marches, and orchestral transcriptions.  The ensemble prepares to perform three major concerts a year and participates in departmental performances.  Participation in learning and performing such music gives students an experiential appreciation and understanding of the role of music in modern society.  Participation is by audition and interview. Class 1, Credit 1 (F, S)

FNRT 253 - World Music Ensemble

The World Music Ensemble is a “hands-on” course, in which students learn the fundamentals of music as a sociological phenomenon and a variety of concepts and world views to answer the question, “What is music?”  This is accomplished by introducing students to several music cultures, through learning fundamental instrumental and dance techniques, with African music being central to the study.  Ensemble is coached four to six times a year by professional musicians and dancers, including Ghanaian Master Drummer Martin Kwaku Obeng, and performs several times each school year, both on campus and in the community.  Enrollment is open to all interested students, faculty, and staff, regardless of musical proficiency.  Developing cooperation and teamwork is a necessary outcome of participation in this ensemble.  Auditions will be held to assess proper placement.  Contact instructor for more information.  Class 1, Credit 1  (F, S)

FNRT 254 - RIT Jazz Ensemble (Sect. I), RIT Jazz Lab Ensemble (Sect II)

Preparing for and performing concerts of jazz repertoire offers students the opportunity to broaden their knowledge of and appreciation for music, and its role in society, through the careful analysis of musical forms and ideas, and the comparison of exemplary works from a variety of times, places and social/cultural necessities.   The RIT Jazz Ensemble performs three major concerts a year of standard repertoire from the early 20th century to the present. Students from the RIT Jazz Ensemble also have the opportunity to play in a variety of informal performances both on and off campus. Participation and appropriate placement in the various ensembles is by audition. Class 1, Credit 1 (F, S)

FNRT 255 - RIT Chamber Orchestra

Preparing for and performing concerts of orchestral repertoire offers students the opportunity to broaden their knowledge of and appreciation for music, and its role in society, through the careful analysis of musical forms and ideas, and the comparison of exemplary works from a variety of times, places and social/cultural necessities. The RIT Chamber Orchestra is a select group of advanced players It performs concerts and engages in other activities, in particular the exploration of performing practices and stylistic considerations apropos to 17th, 18th and 20th-century music. In particular, the RIT Chamber Orchestra revives works from the 18th and early 19th centuries that have not been performed in modern times.  Participation is by invitation of the music director, or by audition. Contact instructor for more information. Class 1, Credit 1 (S)

FNRT 256 - Applied Music

Students will receive private (one-to-one) instrumental or voice lessons and participate in studio performance opportunities.  Private lessons are offered to support the RIT ensembles program, therefore only students who are active participants in an approved RIT ensemble will be eligible for lessons (co-requisite: RIT ensemble). Class 1, Lab 0, Credit 1  (F, S)

Lessons are provided for the following instruments:

Strings, Guitar (new Fall 2017!), Cello, Piano, Voice, Flute, Saxophone, Lower Brass, Trumpet

FNRT 320 - Music of the Romantic Era

Survey of the rise of Romanticism from Beethoven to Strauss in the context of the development of 19th century musical styles in general.  Topics of exploration include national trends in 19th century music, the rise of the general public as arbiters of musical “taste,” philosophical influences, and performance considerations. Part of the music immersion and minor, and music & technology minor; may also be taken as a liberal arts elective. Class 3, Lab X, Credit 3

FNRT 321 - Music Since 1900

Survey of the cultivated traditions of music in the 20th and 21st centuries, particularly in the U. S., taking into account its political, social and historical frameworks.   Class 3, Credit 3 (S)

FNRT 322 - Survey of Jazz

This course will survey the development of American jazz music, highlighting representative composers and performers and significant works. Particular attention will be drawn to the multi-racial influences on the creation of jazz music and its relationship to American culture as a whole. Class 3, Credit 3 (F)

FNRT 323 - Survey of African American Music

This course is a survey of African-American music through an examination of the major forms of music-making and dance developed among African-Americans in the United States from the early 17th century to the present.  A brief introduction to West African cultural characteristics, especially music and dance, as well as discussions of the African diaspora in the New World, will serve as background for this survey.  Class 3, Credit 3 (S)

FNRT 324 - Sounds of Protest

This course is designed to explore the variety of ways music has served as commentary on and/or symbolic representation of social circumstances and events in America and throughout the world, historically and in the present.  Students will research, listen to, analyze, and discuss music representing a variety of genres, styles, and cultures, ranging from various forms of European and American folk, popular, and concert music to selected non-western music. Topics will include race, gender, sexuality, economics, class, war, and politics, among others. Class 3, Credit 3 (F)

FNRT 325 - American Popular Song

This course will survey the development of the American popular song and its composers and performers, taking into account the political, social and historical perspectives reflected in this commercial part of our vernacular music tradition. Class 3, Credit 3 (F)

FNRT 326 - History & Technology of Musical Instruments

The development of music in the Western art tradition had a mutually influential relationship with the changes in construction and manufacturing of musical instruments.  Recent research into the various and special sounds of instruments from different historical periods has been pivotal in new approaches to performance over the past quarter century (“Historically Informed Performance”).  This course explores the historical development of musical instruments commonly used in performing Western art music, including various technologies influencing manufacturing techniques and construction, performing techniques, historical audience expectations of musical sound, and comparative performance practices.   Part of the music immersion and minor, and music & technology minor; may also be taken as a liberal arts elective. Class 3, Lab X, Credit 3

FNRT 327 - American Musical Theatre

This course is designed as a survey of the development of the American musical theater, highlighting representative works, composers, librettists and performers of both the cultivated and vernacular traditions. It is further designed as an appreciation course, fostering the development of a greater appreciation for all types of stage music and the ability to better evaluate the quality of a work, the performance and the performers. This course is only offered occasionally.  Class 3, Credit 3 (S)

FNRT 328 - Composing for Video Games and Interactive Media

An audio professional working in the gaming industry is required to possess not only musical and audio talent, but also knowledge and experience with typical audio workflow. Composing for Video Games and Interactive Media prepares the student for a career in the industry by covering the many facets of sound production and engineering that are particular to game music and other forms of interactive media.

FNRT 485 - Music Theory 2

This course is designed for the student who has a knowledge of basic music theory and an understanding of four-part diatonic composition.  In addition to the continuing study of melodic construction and development, thematic development in two-part counterpoint, four-part harmony, chromatic materials and modulation, and analysis of form and style, emphases will be placed on the development of individual music skills. (FNRT-205 Introduction to Music Theory)  Class 3, Credit 3 (S)