The focus of Jeannette Klute’s career at Eastman Kodak Company was on new discoveries in color photography, in particular, the Dye Transfer color process. Klute adopted the laborious Dye Transfer process in the interest of highlighting landscape and natural settings. She promoted environmental concerns in her views, joining a small group of landscape modernists including Elliot Porter, who chose the new aesthetics of advanced color technology over the conventional appearance of black and white nature settings.
