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Communicating Knowledge Visually

Communicating Knowledge Visually
Communicating Knowledge Visually
Communicating Knowledge Visually
Communicating Knowledge Visually
Communicating Knowledge Visually
Communicating Knowledge Visually
Communicating Knowledge Visually
Communicating Knowledge Visually
Communicating Knowledge Visually
Will Burtin's Scientific Approach to Information Design

Communicating Knowledge Visually presents a timely, in-depth examination of information design pioneer, Will Burtin. Using a methodical approach, the authors analyze Burtin’s way of working and nine of his seminal projects, including his exhibitions for The Upjohn Company and diagrams for SCOPE magazine.


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Overview

Communicating Knowledge Visually presents a timely, in-depth examination of information design pioneer, Will Burtin. Using a methodical approach, the authors analyze Burtin’s way of working and nine of his seminal projects, including his exhibitions for The Upjohn Company and diagrams for SCOPE magazine.

Excerpts taken from Burtin's unpublished writing offer insight into his thinking process and explain how he transformed complex scientific information into easy, accessible visual forms. Scientists, designers, educators and students will gain valuable knowledge from Burtin's unique design approach in meeting the current challenges of communicating complexity in their respective fields.

Foreword by Steven Heller.

Details

Publisher: RIT Press (11/2021)
ISBN-13: 978-1-939125-85-9
Binding: Softcover
Pages: 188
Illustrations: 139, mostly color
Size: 9 x 12 in.
Shipping Weight: 2lb

Reviews

Will Burtin broke through many communication barriers which had limited traditional communication forms. R. Roger Remington and Sheila Pontis’ new book Will Burtin’s Scientific Approach to Information Design is a brilliant choice to bring this history into relevance today. It is cleverly supported by unique archival materials which have never been seen before by the public.
—Richard Saul Wurman, Information Architect

With their new book, Roger Remington and Sheila Pontis take a fresh look at why Burtin’s work—making sense out of complexity—is so important today. Using a clear, methodical, and well-organized format (Burtin would have loved it!), the authors describe in detail a number of his graphic projects, and also his three-dimensional, walk-in explanations of various functions in the human body.
—Nigel Holmes, Graphic Designer

Will Burtin’s modernist aesthetics and human-centered approach contributed immensely to the history of modern design. Driven by a passion to clarify complex issues, he established a workflow that included scientific research and user interviews as part of his regular practice. This book is a beautiful walk through Burtin’s most impressive exhibition and editorial projects, and demonstrates how design and accessibility are insolubly intertwined in information design and its related fields.
—Sandra Rendgen, Visualization Strategist

Sheila Pontis and Roger Remington provide a clear and engaging account of designer Will Burtin’s guiding philosophy and the contextthat shaped it. In the course of describing Burtin’s scientific approach to design–and using it more broadly as a framework for examining the practice and teaching of information design today–the authors prompted me to think more critically about my own science visualization influences and methodology. There’s lots of food for thought here for sciencecentric graphics fans, students, practitioners, and educators alike.
—Jen Christiansen, Art Director, Scientific American

The life and work of Will Burtin are very interesting as an example of how a pioneer in a “heroic” time of Graphic Design invented his professional practice. But the value of the book is not in the biography, but on the analyses of Burtin’s projects and of his ways of working. Working for large corporations at a time in which the USA was economically rising, he enjoyed the possibility of generous budgets for the realization of projects of very diverse and complex kind: from mega promotions of corporations to scientific and technical information dissemination.
—Jorge Frascara, Design Professor Emeritus

Burtin’s body of work provides excellent models for today’s information design practice and this well- organized and beautifully designed book should be on every graphic design curriculum’s information design reading list and all design bookshelves.
—Katherine McCoy, Graphic Designer

Remington and Pontis unapologetically present Burtin’s mid-century modernist ideals of design as a progressive force, committed to scientific objectivity and rigor. At the same time, they also make it clear that design is not a science but a holistic discipline in which the designer acts as an intermediary–a mediator, visualizer, business partner, teacher, and storyteller.
—Dietmar Offenhuber, Information Design Educator

Table of Contents

Foreword by Steven Heller

Chapter 1: Introduction 
A Designer Ahead of his Time
The Importance of Information Design Today
Will Burtin’s Journey to Information Design
A Need for Understanding

Chapter 2: An Overview of Will Burtin’s Life  
Beginnings on the Rhine
A Graphic Designer of German Precision
Modernism in the Air
An Émigré Mind
A Fresh Career in America 

Chapter 3: A Designer with an Information Priority 
Understanding, the Foundation
Understanding the Information Design Process
Information Design’s Need for Scientific Thinking
Burtin’s Scientific Approach to Visual Communication
Proposed Analytical Framework: Dimensions of Information Design

Chapter 4: Purpose
Facilitating Understanding
Metabolism, the Cycle of Life Exhibition 
Process Box 1. Case Study 1: Metabolism, the Cycle of Life Exhibition (1963)

Chapter 5: Problem 
Defining and Framing
The Brain Exhibition
Process Box 2. Case Study 2: The Brain Exhibition (1960)

Chapter 6: Audience
A Human-Centered Process
Gunner’s Information File Project 
Process Box 3. Case Study 3: Gunner’s Information File Project (1944)

Chapter 7: Approach 
A Cooperative Way of Working
The Cell Exhibition 
Process Box 4. Case Study 4: The Cell Exhibition (1958)

Chapter 8: Outcome
Integration of Content
Fortune and SCOPE Magazines
Process Box 5. Case Study 5: SCOPE Magazine (1941-1957)

Chapter 9: Practice 
Conveying the Value of Information Design  
Information Design Practice Today
Visual Journeys of Will Burtin’s Scientific Approach
Visual Aspects of Science Exhibition (1962)
The Communication of Knowledge Exhibition (1971)

Chapter 10: Education 
Enhancing Comprehension and Communication
Rethinking Information Design Education Through a Scientific Lens
Skills and Knowledge for Information Designers
Educating through Information Design 

Chapter 11: Recommendations and Information Design Imperatives
Being an Information Designer
Bringing the Past into the Present of Information Design

Acknowledgments

Bibliography

List of Images, Diagrams, and Tables

Credits

Index

Colophon