In Narrative Structure in Comics: Making Sense of Fragments, Barbara Postema seeks to explain how comics communicate and create meaning, with an emphasis on two aspects of comics. She first examines the pictorial quality of comics, which receives more emphasis than verbal/textual elements.  Her second focus is upon the storytelling and narrative qualities of comics, as well as the literary explorations they provide.

Crime comic books in the 1950s caused controversy leading to their suppression and near extinction. Twenty-five years later, the dark hero, femme fatale, and bleak outlook of crime story comic books are even more striking and subversive. Terrence Wandtke traces the history of crime comics from their beginnings to the current resurgence and analyzes the cultural forces that give rise to influential works like Frank Miller’s Sin City, Brian Azzarello’s 100 Bullets, and Ed Brubaker’s Criminal.

The popularity of horror comics in the 1950s was curtailed by a suppression of popular horror stories by those concerned with juvenile delinquency and bad taste. Thirty years later, creators Alan Moore and Neil Gaiman produced popular and artful comics like Swamp Thing and The Sandman that took advantage of the new shape of American culture in the 1980s. Terrence Wandtke details the history and re-shaping of horror comics and its relevance to popular series such as Hellboy, The Goon, and The Walking Dead. 

Part interpretive criticism, part philosophical meditation, Regarding Frames: Thinking with Comics in the Twenty-First Century explores the ways that literary comics engage readers in the mutual construction of meaning. Kwa draws from a wide range of philosophical, critical, and theoretical texts to analyze the visual and verbal narrative strategies that artists use. She examines the work of comic artists Gabrielle Bell, Michael DeForge, Kevin Huizenga, Laura Park, and Dash Shaw who construct their particular visions of the world.