Overview
Philip Perkis, the accomplished photographer and educator, now presents the second edition of Teaching Photography, Notes Assembled—the slim, unassuming book that has been an unexpected hit in photography circles. This expanded edition features an additional chapter and is co-published by OB Press and RIT Cary Graphic Arts Press, both affiliated with Rochester Institute of Technology. RIT offers one of the nation’s oldest and most-respected degree programs in photographic arts and sciences.
In Teaching Photography…, Perkis draws from four decades of teaching experience at such institutions as Pratt Institute, and Cooper Union, as well as School of Visual Arts in New York. He has distilled his knowledge into this volume of thoughts on visual perception, successful photo lesson exercises, and practical teaching advice for photography instructors. Perkis expresses his acute observations as a means of provoking discussion and inspiring the younger generation of photography students and educators. Carefully typeset with ample margins and devoid of photographic images, the reader is encouraged to exercise the mind’s capacity to visualize—a vital tool for the art of making photographs.
Philip Perkis began photographing in 1957 while serving in the U.S. Air Force. Subsequently he attended the San Francisco Art Institute and studied with Ansel Adams, Dorothea Lange, and John Collier, Jr. He served as chair of photography at Pratt Institute and is currently on the graduate faculty for the School of Visual Arts and Tisch School of the Arts, NYU. A Guggenheim Fellow and NEA and New York Creative Artists Public Service grants recipient, Perkis’s work is represented in many museum collections, including: George Eastman House, The Getty Museum, Metropolitan Museum of Art, NY MoMA, and SF MoMA.
Details
Publisher: OB Press and RIT Cary Graphic Arts Press (01/2005)
ISBN-10: 0-9759651-1-5
ISBN-13: 978-0-9759651-1-5
Binding: Spiral-bound
Pages: 80
Illustrations: yes
Size: 6 x 9 in.
Shipping Weight: 0.2lb
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Table of Contents
Introduction, 3
Exercise #1: Looking, 5
How to Take a Picture, 7
Short Takes #1: Idea, 9
Photography and Poetry, 10
Home Work, 13
Photography as the Cause of the Downfall of Western Civilization, 14
Exercise #2: Pushpins, 17
Exercise #3: How to Look, 17
Scale, 20
Exercise #4: Intention, 22
Photography and Art, 24
Hector Garcia, 27
Television, 28
Exercise #5: First Assignment, 30
Contrast and Value in Black & White & Color, 31
Exercise #6: Watching Light, 32
The Zone System, 33
Exercise #7: Photographing Light, 35
Developing Film, 36
Short Takes #2: Big Prints, 38
Editing and Printing Black & White Photographs, 39
The Digital Revolution, 44
The Critique, 47
How to Do a Portrait, 50
Exercise #8: Self-Portrait, 53
Landscape, 54
Short Takes #3: Straight Photography, 58
Digital Revisited, 59
Short Takes #4: Ghetto, 61
Content – Context – Influence, 62
Neoteny – The End, 65