It's Only Rock 'n Roll: Photographs by William Snyder
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William Snyder is an American photojournalist and former Director of Photography for The Dallas Morning News where he won four Pulitzer Prizes for his photography and editing work. Snyder has captured live music for fifty years and was the official photographer for The Who for nineteen years. In addition to The Who, Snyder's enthusiasm for photographing live music has culminated in an impressive archive of images that capture iconic performers from David Bowie, a unique performance by Eddie Van Halen and Michael Jackson, Amy Winehouse, Diana Ross, KISS on their first North American tour, to appearances by artists Eddie Vedder, Joan Jett, and PINK. This exhibition highlights some of Snyder's music photographs from his accomplished career.
In 2008, Snyder returned to his alma mater, Rochester Institute of Technology, where he is the director of the Advertising Photography BFA program.
All prints from exhibition available for purchase on the Shop One website.
Joan Jett
PINK
Stevie Ray Vaughan
Eddie Van Halen
Chrissie Hynde
Diana Ross
Worlds Fair: Worldbuilding and Storytelling
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The inaugural exhibit from the Center for Worldbuilding and Storytelling in the College of Liberal Arts inspires creativity and critical analysis, worldbuilding and transmedia storytelling for exploring real-world implications of technological and societal changes.
Official Call for Co-Crafting Democracy: Fiber Arts and Activism Entrieshere!
The exhibition Crafting Democracy: Fiber Arts and Activism debuted in Rochester, New York – home to Susan B. Anthony and Frederick Douglass – along with an eponymous catalogue (RIT Press, 2019). Works by the 30 artists explored how handwork probes the vulnerabilities of citizenship status, while also working toward positive social change. Over the following two years, the exhibit traveled to four additional venues in the Northeast U.S., realizing opportunities for community, conversation, and critique.
Now, the exhibition is back in an entirely new form – a “redux” that seeks to co-craft democracy. Curators Juilee Decker and Hinda Mandell, in reviving their show concept, are expanding the notion of democracy to the exhibition form itself: all work that is submitted to the show will be accepted and displayed.*
*Exhibition curators Juilee Decker and Hinda Mandell reserve the right to exclude submissions that are obscene or incendiary.
Continuum: Artwork by Bill and Jean Stephens
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Reception:
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For more than five decades, Bill and Jean Stephens have been partners in life and in Art. They met in the RIT Printmaking Studio in 1972, and both later earned their degrees in the RIT MST Arts Education Program. Their teaching skills were sharpened at the AllofUs Art Workshop, then under the leadership of Luvon Sheppard, Art Professor at RIT.
Bill taught at FLCC and in the Webster CSD, mentoring hundreds of successful future artists and arts educators, until retiring a few years ago. Jean has taught classes out of her own studio and they both continue to offer classes at The Mill Art Center in Honeoye Falls.
Across these fifty plus years, their artwork and artistic processes have continued to evolve and expand. There is a support “mechanism” built into their relationship. I have had the honor and privilege to witness this seamless support both as a friend and colleague in past, and ongoing settings, within our profession.
Beyond their partnership, Bill and Jean are individually exceptional artists. They enjoy a remarkable setting for their home and studio practices. Even though the style of Jean and Bill's work differs widely, that work is highly influenced by the natural world around them. As individual artists, they have exhibited their work in the Greater Rochester region and nationally. In many cases, both have won competitions, awards and been asked to speak and present their unique techniques-processes and artistic philosophies at: galleries, workshops and university settings across their long careers. They continue to work, teach, mentor and grow...as artists and as valued pARTners. - Bob Geroux
Blue Moon mixed media collage. Jean Stephens
Golden Shield mixed media collage. Jean Stephens
Sweet Spot mixed media collage. Jean Stephens
Untitled #11 ink on paper. Bill Stephens
Untitled #10 ink on paper. Bill Stephens
Black and White Series #1. Bill Stephens
of what might yet (have) be(en)
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In 2013-2014 I worked on a series in which I photographed 58 individuals for the series, Androgyny. Androgyny explored the power and complexity of gender identity through photographic portraits, short films, and a large-scale installation of a non-functioning public restroom where one can hear the audio interviews. The work challenged social constructions of gender and celebrated gender expression and fluidity.
In the past 10 years, there has been an immense shift in the conversation surrounding gender, including heartening progress and troubling setbacks as gender identity continues to be a politically charged and contested space. For these reasons, I wanted to reconnect with my participants and both interview and photograph them again. It has been a delight to catch-up with folks and hear about each person's ever-emerging identities. The consensus thus far among participants is there has been progress but there is still a long road ahead of us and visibility and representation are critical. of what might yet (have) be(en)* seeks to stake a claim for difference while at the same time claiming belonging.
*The title of what might yet (have) be(en) is a sentence fragment pulled from Karen Barad’s Transmaterialities: Trans*/Matter/Realities and Queer Political Imaginings.
- Lois Bielefeld
Ancestral Roads: A Journey through Time, Place, and Memory in Poland and Beyond
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Reception:
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In his first major photographic exhibition, Dr. Brian Tomaszewski, a professor in RIT’s B. Thomas Golisano College of Computing and Information Sciences, presents a compelling reflection on how both the past and present shape our understanding of identity, history, and place. Through evocative images of the Polish landscapes his ancestors left over 130 years ago, Tomaszewski invites viewers to explore themes of migration and memory.
In the late 19th century, millions were forced to leave Poland due to political and cultural oppression, including Tomaszewski's own forebears. With the support of a prestigious Fulbright scholarship, Tomaszewski spent nine months (2023–2024) in Poland applying spatial data science to understand the ongoing forced migration of Ukrainian refugees into Poland after the full-scale invasion of Ukraine by Russia in 2022. This experience led him to reimagine his own ancestral history of displacement, tracing the paths his relatives once walked, camera in hand, through the landscapes described in 19th-century historical documents. No photographs of his ancestors remain, but this exhibit captures the echoes of the past through the places they left behind.
This exhibit is a blend of historical geography and personal reflection. It examines how the past continues to shape the present and explores the lives of those who stayed behind after Tomaszewski's ancestors departed. It also serves as a poignant reminder of how issues of migration and displacement—whether 130 years ago or today—remain strikingly relevant.
Dr. Brian Tomaszewski holds a Ph.D. in Geography from Penn State University and has been a faculty member at RIT for 16 years. He has published over 60 peer-reviewed papers and is the author of Geographic Information Systems (GIS) for Disaster Management published by Routledge press and adopted globally. His extensive research, recognized with over $5,000,000 in funding from sources such as the U.S. National Science Foundation, includes collaborations with prestigious United Nations organizations.
Beyond academia, Tomaszewski is a multifaceted artist. His passion for travel, inspired by his academic career, fuels his music and photography. A talented 5-string banjo and guitar player, he regularly performs across Upstate New York, crafting intricate multi-cultural solo performances that recreate the sound of a full band. His photography seeks to capture the unique beauty of the natural world and tell powerful stories of people, places, and experiences.
Agriculture Scene Wapno Poland
Farmer Protest. Poznań Poland
Apartment Building Wągrowiec Powiat Wielkopolska Poland
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