Industrial designers are part engineers, part artists. They create products to be used by factories, businesses, and everyday people. Each Senior Capstone project represents the culmination of a student’s academic experiences in RIT’s Industrial Design Program. This year, forty-eight Industrial Design seniors present concepts and designs across a range of categories: social service, education, transportation, UX/UI, consumer goods, home goods, apparel, health/medical and sustainability. In the ID Senior Capstone Show, you will see a summary of students’ design process and interact with high-fidelity prototypes. Join us for the reception to meet the projects’ designers.
'What We Do' RIT National Press Photographers Association
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Award Ceremony:
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Rochester Institute of Technology’s chapter of the National Press Photographers Association is a forum for education and discussion among young professionals in the photojournalism industry. What We Do is an annual student competition hosted by RIT NPPA. The contest is an opportunity to showcase student work from the RIT photojournalism program. Each spring, students enter this contest, which is judged by three RIT photojournalism alumni. What We Do includes alumni lectures, live judging, and an exhibition featuring the winners.
RIT Industrial Design MFA Thesis
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Reception:
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The Industrial Design MFA at the Rochester Institute of Technology is an interdisciplinary, multinational program focused on design foundations and guided exploration. The faculty represent a diverse range of industry and academic backgrounds, providing students balanced exposure to applied research and human-centered processes. The course of study emphasizes progressive skill sets, a rich variety of projects, and design with meaningful intent. MFA candidates are challenged to develop individualized approaches to design through collaboration with students and faculty across the university. Industry partnerships factor heavily into coursework, grounding conceptual design in production-oriented outcomes. Recent and ongoing partnerships include the Corning Museum of Glass, Arc of Monroe, Loll, Autodesk, GE, Herman Miller, and Fabrica. Aesthetic sensitivity, technical competence, social and environmental awareness, and analytical thought are developed and applied to meet the challenge of designing products, packaging and systems for human needs. Through hands-on experience in graphic visualization, technical drawing, model making and prototype development, graduates emerge with the skills needed to conceptualize, design, and develop new and improved products for mass production. Through collaborative projects with industry sponsors, students work on actual product designs and develop skills in specialized areas including electronic product design, toy and game design, furniture design, exhibit and display design, and package design. This exhibition is the culmination of design work by eleven Masters of Fine Arts candidates.
RIT Interior Design Senior Capstone
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Private Reception:
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Public Reception:
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Over the course of two consecutive capstone courses in the senior year, RIT interior design students execute a self-generated, self-directed design research project. The goal of the capstone is to respond creatively and imaginatively to an emerging circumstance, ongoing debate, or real-world issue and contribute to conversations relevant to the profession of interior design.
of what might yet (have) be(en)
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In 2013-2014 I worked on a series in which I photographed 58 individuals for the series, Androgyny. Androgyny explored the power and complexity of gender identity through photographic portraits, short films, and a large-scale installation of a non-functioning public restroom where one can hear the audio interviews. The work challenged social constructions of gender and celebrated gender expression and fluidity.
In the past 10 years, there has been an immense shift in the conversation surrounding gender, including heartening progress and troubling setbacks as gender identity continues to be a politically charged and contested space. For these reasons, I wanted to reconnect with my participants and both interview and photograph them again. It has been a delight to catch-up with folks and hear about each person's ever-emerging identities. The consensus thus far among participants is there has been progress but there is still a long road ahead of us and visibility and representation are critical. of what might yet (have) be(en)* seeks to stake a claim for difference while at the same time claiming belonging.
*The title of what might yet (have) be(en) is a sentence fragment pulled from Karen Barad’s Transmaterialities: Trans*/Matter/Realities and Queer Political Imaginings.
- Lois Bielefeld
Ancestral Roads: A Journey through Time, Place, and Memory in Poland and Beyond
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In his first major photographic exhibition, Dr. Brian Tomaszewski, a professor in RIT’s B. Thomas Golisano College of Computing and Information Sciences, presents a compelling reflection on how both the past and present shape our understanding of identity, history, and place. Through evocative images of the Polish landscapes his ancestors left over 130 years ago, Tomaszewski invites viewers to explore themes of migration and memory.
In the late 19th century, millions were forced to leave Poland due to political and cultural oppression, including Tomaszewski's own forebears. With the support of a prestigious Fulbright scholarship, Tomaszewski spent nine months (2023–2024) in Poland applying spatial data science to understand the ongoing forced migration of Ukrainian refugees into Poland after the full-scale invasion of Ukraine by Russia in 2022. This experience led him to reimagine his own ancestral history of displacement, tracing the paths his relatives once walked, camera in hand, through the landscapes described in 19th-century historical documents. No photographs of his ancestors remain, but this exhibit captures the echoes of the past through the places they left behind.
This exhibit is a blend of historical geography and personal reflection. It examines how the past continues to shape the present and explores the lives of those who stayed behind after Tomaszewski's ancestors departed. It also serves as a poignant reminder of how issues of migration and displacement—whether 130 years ago or today—remain strikingly relevant.
Dr. Brian Tomaszewski holds a Ph.D. in Geography from Penn State University and has been a faculty member at RIT for 16 years. He has published over 60 peer-reviewed papers and is the author of Geographic Information Systems (GIS) for Disaster Management published by Routledge press and adopted globally. His extensive research, recognized with over $5,000,000 in funding from sources such as the U.S. National Science Foundation, includes collaborations with prestigious United Nations organizations.
Beyond academia, Tomaszewski is a multifaceted artist. His passion for travel, inspired by his academic career, fuels his music and photography. A talented 5-string banjo and guitar player, he regularly performs across Upstate New York, crafting intricate multi-cultural solo performances that recreate the sound of a full band. His photography seeks to capture the unique beauty of the natural world and tell powerful stories of people, places, and experiences.
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