Ovation: RIT’s Performing Arts Showcase

Friday, February 6, 2026
Ingle Auditorium
Student Alumni Union
6-8pm

Part of RIT FreezeFest

Circular graphic with various objects. Around the outside is the text Ovation, RIT's Performing Arts Showcase.
 


2026 Finalists

  • “Am I Wrong” by Kelsey Mulrooney & Mia Clarizio
    “Don't Stop Me Now” by Double Stop
    Eight Beat Measure
    Encore A Cappella
    “Feeling Good” by Kiki Ajayi
    Halibut
    “Liebestraum No. 3” (Liszt) on Piano by Diego Guerrero Viloria
    “Prayer” by Vincent Mussumeci
    RIT Zindagi
    “A Thousand Miles” Yo-yo & Piano Performance by Max Gonzaga and Elaina Trapatsos
    WADAIKO Performance
    Yishu

  •  
  • Special performance by 2025 Ovation Winner: The Jive

Per the RIT Safety Plan, attendance at this event requires all attendees to be in compliance with the RIT Event Safety Guidelines. All attendees and participants must provide proof of vaccination and photo identification. Current RIT students, faculty, and staff that are in compliance with the vaccination policy and do not have access to a vaccination card, can present their RIT compliance pass along with their RIT ID. For more information, visit the RIT Safety Plan.

2026 Judges

Brynn Tyszka looks at the camera wearing a black top in front of a white background

Brynn Tyszka, ARTISTIC DIRECTOR, has worked professionally in the theatre industry for over 20 years. Prior to her new role at Blackfriars, Ms. Tyszka has served as the Social Media Manager (as well as teaching artist, director, and performer) for OFC Creations Theatre Center in Brighton and as Director of Education for Actors' Theatre of Indiana, where she also performed as an ATI cast member (A Comedy of Tenors, Dirty Rotten Scoundrels, and a reading of Lindsay Adams' new play, Rattler). Ms. Tyszka served as Acting Department Chair for the Rochester Association for the Performing Arts (RAPA), where she developed and taught several acting classes, including Fundamentals, Scene Study, Characterization, The Art of Comedy, Script Analysis, and Movement for the Stage. Additionally, she taught acting and coached musical theater privately as the founder of BKT Studio for Actors. She has also directed and choreographed several shows for high schools, colleges, community theaters, and semi-professional theaters throughout the Rochester area. A former member of Actors' Equity Association and a proud alum of the Nazareth College Theatre Arts program, Ms. Tyszka has performed nationally on tour with NETworks and ArtsPower productions as well as regionally with Geva Theatre Center, Actors' Theater of Indiana, DEEP Arts, JCC CenterStage, Pittsford Musicals and Playhouse on the Park in Connecticut. Ms. Tyszka's history with Blackfriars began in 2006, when she played Susan in tick, tick ... BOOM! under the direction of Haldoupis. Since then, she has worked and performed several times with Blackfriars, including on Heathers the Musical (Heather Chandler), Beehive (choreographer), and Boeing Boeing (Gretchen), as well as performing in multiple Season Soirées. Most recently, she partnered with Hoskins and Hoffman to conceive, produce, and direct Blackfriars's 2020 digital holiday show, Home for the Holidays. Ms. Tyszka is the first female-identifying Artistic Director in Blackfriars’s 73-year history.

Eric Townell wearing a tuxedo is standing in front of a fence with a tree in the background

Maestro Eric Townell is an experienced and creative conductor of operatic, orchestral and choral repertoire from the Baroque period through the 21st Century. Since joining the Rochester Oratorio Society in 2006, he has led the ROS in subscription concerts, regional outreach performances, live radio broadcasts, a televised concert, collaborative concerts with the region’s leading arts organizations, a concert tour to Eastern Europe and an award-winning tour to Beijing and Shanghai for the 2008 Olympic Cultural Festival.

Maestro Townell has prepared the Rochester Oratorio Society for a number of appearances with the Rochester Philharmonic Orchestra and the Chautauqua Symphony Orchestra for conductors Christopher Seaman, Jeff Tyzik, Ward Stare, and numerous guests, performing the music of Bach, Beethoven, Vaughan Williams, Handel, Verdi, Gershwin, and Orff, among numerous others. In 2008, Eric also established Resonanz, a select high-quality choral ensemble that represents the Rochester Oratorio Society at special engagements.

Eric concurrently directs the Finger Lakes Choral Festival. He is the former music director of the Festival Choir of Madison (1993-2006), the Master Singers of Milwaukee (2003-2010) and the Central Wisconsin Symphony Orchestra (1991-2001). He holds a doctorate of musical arts degree from the Peabody Conservatory and degrees in music performance and conducting from Northern Illinois University and Indiana University. He studied conducting and solfege with Catherine Comet at St. Louis Conservatory; opera conducting with Georg Tintner in the Czech Republic; orchestral conducting with Frederik Prausnitz at Peabody and Charles Bruck at the Monteux School, and choral/orchestral conducting with Helmuth Rilling as a member of the 2002 Master Class at the Oregon Bach Festival. An experienced and effective communicator on music and arts topics, Eric is in demand as clinician and adjudicator for choral and orchestral festivals and for choirs of all types across the country. He has offered pre-concert chats, creative consultation and program annotation for the Baltimore Symphony Orchestra, the Rochester Philharmonic and several other ensembles and chamber music series. Eric is a frequent commentator on arts topics on WXXI radio and serves the Boards of the William Warfield Scholarship Fund and the Arts & Cultural Council for Greater Rochester. He is the producer and host of “In the Spotlight,” an arts interview program distributed via cable access television stations throughout Western New York. His orchestral and choral conducting were the subject of the 1994 Wisconsin Public Radio broadcast “Music from Wisconsin: A Wisconsin Conductor.”

Jimmy Highsmith Jr stands in front of a wood wall holding a saxophone wearing  a black cowboy hat and shirt

Jimmie Highsmith Jr. is a Grammy®-nominated saxophonist and flutist with critical acclaim, hailing from Rochester, NY. Throughout his career, he has graced the stage alongside numerous Grammy® Award winners, including the esteemed Najee, Alicia Keys, and Natalie Cole. He is also a proud endorser of Eastman Winds saxophones, Jody Jazz mouthpieces, and Silverstein Works ligatures.

His journey in music began at the age of 6 when I started studying piano. After being exposed to Saxophone, I started studying it at the age 8. After graduating from "PA" Rochester NY School of The Performing Arts in 1986, he became a member of The Approaching Storm, the HBCU Delaware State University Marching Band. He also attended The Eastman School of Music where he studied during the summers of 1985 and 1986. After auditioning for the US Air Force Band in Washington DC at Bolling AFB he enlisted in the Air Force and dedicated ten years of service before transitioning to a full-time music career.

To date, he has released 11 top-selling smooth jazz CDs and contributed to over 200 recordings as a collaborator. His sixth CD, "The Anthology of Sound," was honored with a Grammy® nomination, and his work is recognized as being among the best in the Smooth Jazz genre.

Sueann Townsend stand with arms corssed in front of a white wall with open shelves and decor behind her

Sueann has enjoyed a 20-year career as a professional dancer in classical ballet, modern dance and as a national and international freelance artist. After her performing career, Sueann worked as teacher, coach, ballet master, and repetiteur. She served as Executive/Artistic Director of the Amherst Massachusetts Ballet from 2011-2017. Sueann invigorated the 40-year-old organization through ambitious programming balanced with fiscal responsibility. She created Ballet For All! which brought classical ballet training to dancers aged 8 to 80. As part of this initiative, she produced a week-long workshop with Ilya Kuznetsov, master teacher from the Bolshoi Ballet Academy. Sueann’s FHPAC duties include policy and procedure development, operations, marketing and programming. 

William Sander wearing a blue suit stands with arms crossed in front of an orange wall.

Sanders has nearly 40 years of experience in higher education. He most recently served as the Dr. William D. and Nancy W. Strecker Dean of the College of Engineering at Carnegie Mellon University in Pittsburgh from 2020 to 2025. Prior to Carnegie Mellon, Sanders spent 25 years as a tenured professor and held the Herman M. Dieckamp Endowed Chair in Engineering at the University of Illinois.

Founded in 1829, RIT enrolls more than 21,300 students in more than 200 career-oriented and professional programs, making it among the largest private universities in the United States. With 150,000 alumni worldwide, RIT is internationally recognized and ranked for its leadership in technology, the arts, and design. RIT also is home to the National Technical Institute for the Deaf and has one of the oldest and largest cooperative education programs in the country. Global partnerships include campuses in Dubai, Croatia, and Kosovo.

Sanders began his career as an assistant professor in the Department of Electrical and Computer Engineering at the University of Arizona in 1988. He earned his bachelor’s degree in computer engineering; master’s degree in computer, information, and control engineering; and doctoral degree in computer science and engineering, all from the University of Michigan.

Sanders’ research interests include secure, dependable, and resilient computing systems with a focus on critical infrastructures. He has directed work at the forefront of national efforts to make the U.S. power grid smart and resilient. His significant scholarly record includes publishing more than 300 technical papers in this field. He is also a co-developer of a tool for assessing the security of networked systems that is available commercially under the name NP-View from the startup company Network Perception, which he co-founded.

A recognized leader in his field, Sanders was elected to the National Academy of Engineering (NAE) in 2023, one of the highest professional distinctions accorded to an engineer, for his contributions to cybersecurity and resiliency technologies for critical infrastructures. Sanders is also an elected fellow of the Institute of Electrical and Electronics Engineers, the Association for Computing Machinery (ACM), and the American Association for the Advancement of Science (AAAS). Among many honors, he was the 2016 recipient of the IEEE Technical Field Award, Innovation in Societal Infrastructure, for “assessment-driven design of trustworthy cyber infrastructures for societal-scale systems.”

Sanders is a native of Grand Rapids, Mich. He and his wife, Emily, have two grown children who are both engineers. When he is not working, Sanders enjoys the outdoors, hiking, kayaking, canoeing, and amateur astronomy.

Contest Rules and Entry Criteria

The showcase is open to all current RIT students (undergraduate or graduate level) who enjoy dance, music, theatre, comedy, juggling, and more. Students may participate as an individual, ensemble or group. There is no fee to register.

Prize money will be awarded to the top two performances of the showcase. First place will receive $1,000 and second place will receive $500. 

Registration forms must be submitted by the deadline of November 30, 2025 by 12:00 Midnight, via CampusGroups (RIT credentials required). Questions can be submitted to the Associate Director, Conferences and Special Events, Debbie Kiel, at dlkgrl@rit.edu.

Event organizers will review submissions using CampusGroups. A video file of your performance (YouTube link preferred) must be included with your submission to be considered for the final show. Finalists will be notified by January 12, 2026. Winners will be announced at the conclusion of the event on February 6, 2026.

* All awards, prizes, and/or gifts given by RIT are taxable to the recipient, students, and non-students alike.

For Non-resident aliens: Any awards, prizes, and/or gifts received by a non-resident alien are immediately taxable at 30%.

All non-resident alien prize recipients should contact RIT payroll/accounts payable as soon as possible to make arrangements to pay their tax due upon receipt of the award/prize/gift. A 1042-S document will be issued at year-end to summarize the amount of miscellaneous income that is being reported to the IRS.

For U.S. citizens and/or U.S. resident aliens: Any awards, prizes, and/or gifts received by a U.S. citizen and/or U.S. resident are taxable at TBD%.

All U.S. citizens and/or U.S. resident alien prize recipients will receive a 1099-MISC document from RIT’s payroll/accounts payable, if applicable, at year-end to summarize the amount of miscellaneous income that is being reported to the IRS.

General Rules

The showcase is open to all RIT students and student-majority groups with the exception of Faculty led ensembles. The students and/or student groups may consist of student clubs, organizations, or unaffiliated groups or individuals.

All categories of the Performing Arts will be judged together to determine a final winner. Approximately fifteen finalists will be chosen from the applications to compete during the Ovation event. No more than three performing groups or individuals from any category will be selected to perform in the final showcase.

Submissions containing copyrighted material (e.g., music, dramatic works, etc.) may require permission from the copyright owner(s). In some cases, RIT may already have the appropriate permissions. However, submissions will be reviewed to determine whether additional or separate permissions are required prior to the event. In the event permission is not obtained for a submission prior to February 6, 2026, the submission may not be included in the event.

Each type of performance must adhere to the category-specific criteria below.

  • Sole or ensemble dance.
  • All dance pieces must not be more than 4 minutes.
  • Please indicate the song(s) you will use on your registration form. If an original music mix is being used, please submit a copy of the recording with your registration form.
  • No sound enhancements on tapes may be used. Background sound enhancements of taps, clogging, etc. are not permitted.
  • If recorded musical accompaniment is required, a digital file must be emailed to dlkgrl@rit.edu, in advance of the challenge. Challenge committee will not edit or mix any music files for the performer.

  • Solo or Ensemble: Jazz, classical, etc.
  • Instrumental pieces may not be over 4 minutes.
  • Instrumental participants must include a copy of the sheet music with the registration form.
  • Instrumental pieces are not required to be memorized, but it may be to your advantage to have it memorized.
  • An electric keyboard may be used.

  • Monologues or Soliloquies, performance pieces, scenes from comedies, tragedies or drama, or One-Act Plays must be at least 3 minutes and no longer than 4 minutes in length.
  • Interruption by audience applause does not count against time.
  • A copy of the script must be turned in with the registration form.
  • Set up and tear down on stage is limited to 5 minutes.

  • Comedy, juggling, acrobatics, magic or novelty acts no more than 4 minutes in length.
  • Interruption by audience applause or laughter does not count against time.
  • Set up and tear down on stage is limited to 5 minutes.

  • Solo or ensemble singing with or without accompaniment.
  • Vocal pieces may not be over 4 minutes.
  • Vocal participants must include a copy of their music with the registration form. Music turned in must have both music and lyrics.
  • If using recorded music for accompaniment, there should be no voices in the background unless it is those of actual performers.
  • If recorded musical accompaniment is required, a digital file must be emailed to dlkgrl@rit.edu, in advance of the challenge. Challenge committee will not edit or mix any music files for the performer.
  • Accompaniment time is included in the time limit.
  • We strongly encourage that vocal pieces be memorized.

  • Solo or ensemble singing with an accompaniment.
  • Vocal pieces may not be over 4 minutes.
  • Vocal participants must include a copy of their sheet music with the registration form. Music turned in must have both music and lyrics.
  • If using recorded music for accompaniment, there should be no voices in the background unless it is those of actual performers.
  • If recorded musical accompaniment is required, a digital file must be emailed to dlkgrl@rit.edu, in advance of the challenge. Challenge committee will not edit or mix any music files for the performer.
  • Accompaniment time is included in the time limit.
  • We strongly encourage that vocal pieces be memorized.

We ask that all performing arts entries are selected for a family-friendly audience, which includes people of all ages.

All materials to be performed are subject to review and approval by event organizers. Materials which include foul language, racial or religious overtones, or other topics/subjects deemed inappropriate by event organizers will not be allowed.

  1. Be considerate of other participants.
  2. If special introductions are desired, please send with entry.
  3. No Props, costumes, set pieces will be provided.
  4. A sound system, microphones and lighting will be provided.
  5. No explosive devices, smoke bombs or fog machines will be allowed.
  6. For ensembles and groups, a majority of participants should be current RIT students. Remaining participants may be faculty, staff, alumni, or non-RIT students/individuals.
  7. Individuals may participate in more than one performance.
  8. At the judges’ discretion, points may be deducted for performances that go over the allotted time.
  9. Material used may be original or obtained from any source and/or any suitable subject.

 

Final Judging

A panel of judges will use a scoring rubric that addresses the following categories: execution, artistic expression, presentation, creativity, and audience reaction.

Please direct all questions related to the competition to the Associate Director, Conferences and Special Events Debbie Kiel, at dlkgrl@rit.edu or call 585-475-7408. Thank you.