Joel Hunt Headshot

Joel Hunt

Assistant Professor

School of Performing Arts
College of Liberal Arts

Office Location

Joel Hunt

Assistant Professor

School of Performing Arts
College of Liberal Arts

Bio

Joel V. Hunt, Ph.D. is a versatile composer, performer, educator, and scholar whose work bridges jazz, popular music, interactive electroacoustic music, and algorithmic composition. His recent creative output includes audiovisual installations, modular synthesizer improvisations, generative computer music, and music for theater and video games. His music has been featured at festivals across the U.S. and Europe, including the International Computer Music Conference, New York City Electroacoustic Music Festival, Society of Composers, Inc., Electroacoustic Barn Dance, Electronic Music Midwest, Primavera Festival of Contemporary Arts and Digital Media, California Electronic Music Exchange Series, and the Ethos NewSound Festival of Contemporary Music.

Dr. Hunt's research and teaching interests include electronic music history, electronic music composition, data sonification, jazz-pop theory, and sketch studies. His scholarship focuses on the evolution of compositional processes in the music of American experimental composer Henry Brant. He has presented his research at conferences such as the Society for American Music, Society for Music Theory, Tracking the Creative Process in Music, Canadian University Music Society, and the West Coast Conference of Music Theory and Analysis.

In addition to his scholarly and creative work, Dr. Hunt is an accomplished jazz saxophonist, bandleader, and arranger.

Currently Teaching

PRFL-272
3 Credits
This course explores the composition, arrangement, mixing, and mastering of modern electronic music. Topics include aesthetics of formal song structure and melodic and harmonic construction techniques, synthesis and sound design, using a digital audio workstation (DAW) to program musical elements using audio or MIDI, sound processing using effects such as equalization and compression, and introductory mastering techniques.
PRFL-378
3 Credits
An audio professional working in the gaming industry is required to possess not only musical and audio talent, but also knowledge and experience with typical audio workflow. Composing for Video Games and Interactive Media prepares the student for a career in the industry by covering the many facets of sound production and engineering that are particular to game music and other forms of interactive media.
PRFL-466
3 Credits
This course examines the theoretical foundations of jazz and popular music, focusing on advanced harmonic, melodic, and rhythmic concepts. Key topics include extended harmony, chord-scale relationships, chord substitution, reharmonization, melodic embellishment, counterpoint, voice leading, meter, rhythm, and syncopation. Students will explore these concepts within standard 12-bar blues forms, 32-bar song forms, and modern pop song arrangements. Through aural analysis, ear training, transcription, and model composition exercises, students will deepen their understanding of chord progressions, melodic development, and song structure, with special emphasis on interpreting and writing chord symbols and lead-sheet notation. The course also examines the historical and social impact of influential jazz and popular music composers and performers, highlighting how these artists shaped the evolution of music. By the end of the course, students will be able to analyze a wide range of repertoires and create original compositions that demonstrate a deeper understanding of jazz and popular music theory.
PRFL-489
3 Credits
Allows examination of a special problem or topic area in the theatre, dance, music, visual arts, and other performing and fine arts. Topics and specific content and methods vary from term to term. Each term’s offering, however, features an introduction to a historical period, movement, phenomenon, practitioner(s), or other subfield of study within performing arts and/or visual culture. In so doing, students develop theoretical and experiential knowledge of an artistic period, movement, phenomenon, practitioner(s) or other subfield of study within performing arts and/or visual culture.

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