Lisa Hermsen Headshot

Lisa Hermsen

Professor

Department of English
College of Liberal Arts
Department of English

5854754553
Office Location
CLA-

Lisa Hermsen

Professor

Department of English
College of Liberal Arts
Department of English

Education

BA, Briar Cliff University; MA, University of Missouri at Columbia; MA, Ph.D., Iowa State University

Bio

I am a Professor in the Department of English, past Carolyn Werner Gannett Chair in the Humanities and the past Chair of the English Department at RIT. I specialize in the rhetoric of science, technology, and medicine – particularly through rhetoric's fourth canon, memoria, the memory palaces, the common places, and information culture. 

Since 2019 I have been collaborating with Rebekah Walker, DHSS Librarian, and a team of undergraduate students to create a Scholarly Digital Edition of a manuscript from the firm of William Townsend & Sons, printers, bookbinders, account book manufacturers, Sheffield UK (1830-1910). The full collection is held in the Cary Special Collections. We are transcribing and encoding the “Business Guide and Works Manual,” a rare manual offering instructions for stationery bookbinding, records documenting the firm's business and financial practices, and commonplace "jottings" with notes about daily schedules, author Charles Dickens, and pages of Sheffield steel manufacturers' addresses. The manuscript is a 400-page idiosyncratic volume with no hierarchical textual structure, many tables and formulae, and random marginalia. It is an artifact of information culture documenting a network of books, book buyers, book materials, binders – forwarders, apprentices, journeyman, and sewers. RIT students are using XML markup with TEI (best practices for creating digital editions in the humanities as cited by MLA and AHA) to transcribe and encode a flat digital scan, creating a dynamic searchable edition. They are also researching 19th century matallurgical commodities, Sheffield economic cultural history, and the materiality of the book.

My book, Manic Minds: Mania's Mad History and Its Neuro Future (Rutgers UP, 2011), emerges from textbooks, asylum records, genetic research articles, memoirs, and diagnostic manuals. Not only has “mania” never been stabilized as a modern medicalized disorder, the memoria of 'mania' has emerged furiously from pre-professional to professional American psychiatry and now persists frenzied into the neuro-future. 

As co-PI on a team awarded an NEH Humanities Connections Grant (2017), I directed the first delivery of a course sequence emphasizing public memory and “community” from a host of disciplinary perspectives: historical, geographical, literary, environmental and socioeconomic. Undergraduate students engaged with Rochester, NY as a city that formed, changed and often retained a distinct sense of place amid shifting economic, political and technological forces. This course sequence built on the University’s long-standing tradition of community service, as well as faculty engagement with area communities. 

5854754553

Currently Teaching

ENGL-101
1 Credits
This course will introduce students to the field of English Studies and the kinds of reading, writing, and critical thinking practices central to the field today. English Studies, consolidated as a field in the 19th century in European and American Universities, has evolved well beyond its initial focus on English-language literatures, language practices, and socio-linguistic concerns while retaining its primary concern with literature, language-arts, linguistics, rhetorical practices, and their participation in broader national and global cultures and subcultures.
ENGL-250
3 Credits
Designed for English majors, this course provides an introduction to methods used to analyze, interpret, and visualize textual data. Students will learn how to formulate research questions, collect relevant data, and disseminate findings. Students across tracks will leave the course with a toolbox of approaches for applied work as well as critical understanding of methodological and ethical considerations of working with textual data.
ENGL-318
3 Credits
This course examines popular literature, a designation that has meant different things at different times and that has included literature as diverse as Shakespearean comedies, Gothic fiction, Science Fiction, and Fantasy. In part, students will consider the artistic relationships between popular literature and both historical and contemporary literary forms in order to understand how popular literature draws upon and sometimes invents new kinds of artistic representation. The class will also ask students to explore what social attitudes and pressures help to make a form popular at a particular moment in time, and how popularity is often driven by the social networks of book production, marketing, sales, and adaptation. Different sections may focus on different popular literary forms. Whatever the topic, the course will provide students a lens through which to discuss how the public, mainstream authors, and literary critics, as well as editors and publishers, impact the development of literary traditions.
ENGL-345
3 Credits
This course will study the changes in definitions, explanations, and depictions of madness as expressed in psychiatric texts, asylum records, novelists, cartoonists, artists, photographers, filmmakers–and patient narratives. Certainly, madness has assumed many names and forms: the sacred disease, frenzy, hysteria, mania, melancholy, neurosis, dementia, praecox, schizophrenia, phobia, post-traumatic stress disorder. Those afflicted have been admired, pitied, mocked, hidden from public view, imprisoned, restrained, operated on, hospitalized, counseled, analyzed, and medicated. The brain, particularly the disordered brain, has long been a source of interest. This course explores the brain from the history of madness. The course takes a humanist, rhetorical, and historicist approach to the question of madness within changing social institutions and popular discourse.
ENGL-345H
3 Credits
This course will study the changes in definitions, explanations, and depictions of madness as expressed in psychiatric texts, asylum records, novelists, cartoonists, artists, photographers, film-makers–and patient narratives. Certainly, madness has assumed many names and forms: the sacred disease, frenzy, hysteria, mania, melancholy, neurosis, dementia, praecox, schizophrenia, phobia, post-traumatic stress disorder. Those afflicted have been admired, pitied, mocked, hidden from public view, imprisoned, restrained, operated on, hospitalized, counseled, analyzed, and medicated. The brain has long been a source of interest, particularly the disordered brain. This course explores the brain from the history of madness. The course takes a humanist, rhetorical, and historicist approach to the question of madness within changing social institutions and popular discourse.
ENGL-400
3 Credits
A focused, in depth study and analysis of a selected topic in literary and/or cultural studies. Specific topics vary according to faculty assigned.
ENGL-418
3 Credits
This course provides an in-depth look at literary giants and the masterpieces of prose or poetry they have created; it's an opportunity to see the role they played both within the context of their own time and within the larger span of literary history. These great authors confront key questions of modernity that continue to occupy us to this day; they ask the question of what it means to be human and explore fundamental human themes. They give us a fresh perspective on the past and on ourselves.
ENGL-422
3 Credits
This course takes as its premise that spatial thinking is critically important. Spatial thinking informs our ability to understand many areas of 21st century culture, as mobile interfaces and geospatial technologies enable us to engage with our surroundings in new ways. The study begins with the history maps and mapmaking, and explores how maps work. As students create representational, iconographic, satirical, image-based, informational, and other map forms, the course emphasizes the map as narrative. The course develops into an exploration of the ways, particularly in texts, that mapmaking creates cultural routes, mobile forms of ethnography, and ways of imagining travel and tourism in the era of globalization. The diverse writers represented in this course are rethinking space as a dynamic context for the making of history and for different organizations of social and communal life.
ITDL-510
1 - 3 Credits
Vertically Integrated Projects (VIP) engage undergraduate students in long-term, large-scale, multidisciplinary project teams that are led by faculty. VIP courses are project-based, team-based courses directly supporting faculty research and scholarship. VIPs under this course number have a particular focus on interdisciplinary humanities and social sciences expertise, with membership in teams across RIT colleges.
ITDL-610
0 - 3 Credits
Vertically Integrated Projects (VIP) engage undergraduate students in long-term, large-scale, multidisciplinary project teams that are led by faculty. VIP courses are project-based, team-based courses directly supporting faculty research and scholarship. VIPs under this course number have a particular focus on interdisciplinary humanities and social sciences expertise, with membership in teams across RIT colleges.

In the News

  • March 31, 2020

    Richard Newman and Lisa Hermsen.

    Intersections: The RIT Podcast, Ep. 34: Studying history is more than poring over textbooks and old documents. History Professor Richard Newman and humanities Professor Lisa Hermsen talk about place-based learning, which gets students into the community to experience where the history happened.