Michael Ruhling Headshot

Michael Ruhling

Professor

School of Performing Arts
College of Liberal Arts

585-475-2014
Office Location

Michael Ruhling

Professor

School of Performing Arts
College of Liberal Arts

Education

BA, Goshen College; MA, University of Notre Dame; MM, University of Missouri; Ph.D., Catholic University of America

Bio

Michael E. Ruhling is Professor of Performing Arts in the College of Liberal Arts at the Rochester (NY) Institute of Technology, and conductor of the RIT Orchestra and Chamber Orchestra. He also teaches courses at the Eastman School of Music, and is the current conductor of the Rochester Medical Orchestra. He holds a Ph.D. in historical musicology from The Catholic University of America, and master's degrees in orchestral conducting (U. of Missouri) and music history (Notre Dame). From 2004 to 2009 Michael served on the conducting and lecture faculty of the Classical Music Festival in Eisenstadt, Austria, and was bass section leader in the Festival Chorus. He has appeared as guest conductor of the Brighton Symphony Orchestra, Prince George’s Philharmonic, Finger Lakes Symphony, UNLV Symphony and Opera, Rochester’s Air de Cour, and several other orchestras and choirs throughout the United States. He is the author of Johann Peter Salomon’s Scores of Four Haydn Symphonies: Edition with Commentary, published by the Edwin Mellen Press, and his essay on the symphonies of Michael Haydn is included in The Symphonic Repertoire, Vol. 1: The Eighteenth Century Symphony published by the Indiana University Press. Dr. Ruhling was named the 2008-2009 Christopher Hogwood Historically Informed Performance Fellow by the Boston Handel and Haydn Society, the oldest performing ensemble in the U.S. He is the first president of the Haydn Society of North America and editor of their online journal HAYDN, a member of the Haydn Society of Great Britain’s Committee of Honour, and recently served as secretary-treasurer of the Society for Eighteenth Century Music.

585-475-2014

Select Scholarship

Journal Editor
Ruhling, Michael E., ed. HAYDN: Online Journal of the Haydn Society of North America. Rochester, NY: RIT Press, 2020. Web.
Ruhling, Michael E., ed. HAYDN: Online Journal of the Haydn Society of North America. Rochester, NY: RIT Press, 2016. Web.
Ruhling, Michael E., ed. HAYDN: Online Journal of the Haydn Society of North America. Rochester, NY: RIT Press, 2018. Web.
Journal Paper
Ruhling, Michael E. "Performance Considerations in Michael Haydn’s Requiem in C minor, MH155." HAYDN: Online Journal of the Haydn Society of North America. 9.2 (2020): na. Web.
Ruhling, Michael E. "Performing Haydn: An interview with violinist Aisslinn Nosky." HAYDN: Online Journal of the Haydn Society of North America. 5.1 (2015): Approaches to Performance. Web.
Ruhling, Michael E. "Remembering Christopher Hogwood (1941-2014)." HAYDN: Online Journal of the Haydn Society of North America. 4.2 (2014): Articles. Web.
Ruhling, Michael E. "Haydn Documents in North America: Boston Handel and Haydn Society Part Books from 1827 and 1828." HAYDN: Online Journal of the Haydn Society of North America. 3.2 (2013): Rediscovered & Important Documents. Web.
Ruhling, Michael E. "Haydn Documents in North America: Library of Congress Collection of Joseph and Michael Haydn Holograph Photographs." HAYDN: Online Journal of the Haydn Society of North America. 3.2 (2013): Rediscovered & Important Documents. Web.
Ruhling, Michael E. "Annotated Bibliography: The Creation." HAYDN: Online Journal of the Haydn Society of North America. 3.1 (2013): Research Tools. Web.
Invited Keynote/Presentation
Ruhling, Michael E. "The Whys, Whats, and Hows of Music in the Liturgy." Men of St. Joseph Lecture Series. Men of St. Joseph. Rochester, NY. 10 Jun. 2019. Guest Lecture.
Ruhling, Michael E. "The Word Made Flesh Made Music in Haydn’s Masses." Benedictine College Music Department Lecture. Benedictine College. Atchison, Kansas. 11 Feb. 2019. Guest Lecture.
Ruhling, Michael E. "Archetypes, Archvillains, and ‘Aren’t you Gonna Eat That?’: Dramatic tools in Don Giovanni." Friends of Eastman Opera Series. Friends of Eastman Opera. Rochester, NY. 10 Oct. 2018. Guest Lecture.
Ruhling, Michael E. "Edmund Burke's Philosophical Enquiry. . . and thoughts on performing Haydn's The Creation." The Catholic University of America Musicology Symposium. The Catholic University of America. Washington, DC. 14 Feb. 2013. Guest Lecture.
Ruhling, Michael E. "Rhetoric and Performance Considerations in Haydn’s Farewell Symphony." University of Neveda-Las Vegas, visiting artist. University of Neveda-Las Vegas. Las Vegas, Nevada. 10 Feb. 2012. Lecture.
Book Chapter
Ruhling, Michael E. "A New-World Oratorio Society Springs Up: Haydn, The Creation, and the Boston Handel and Haydn Society." Joseph Haydn & die neue Welt. Ed. Walter Reicher. Eisenstadt, Austria: Eisenstädter Haydn Berichte, 2019. 159-178. Print.
Ruhling, Michael E. "Johann Michael Haydn." The Symphonic Repertoire, Vol. 1: The Early 18th Century Symphony. Bloomington, Indiana: Indiana University Press, 2012. 498-515. Print.
Invited Article/Publication
Ruhling, Michael E. "Several entries." Cambridge Haydn Encyclopedia. (2019). Print.
Ruhling, Michael E. "Generating STEAM: Haydn and the Arts in General Education at a “Career-Oriented” Institute of Technology." HAYDN: Online Journal of the Haydn Society of North America, Issue 6.1 (Spring 2016). (2016). Web.
Ruhling, Michael E. "Generating STEAM: Haydn and the Arts in General Education at a “Career-Oriented” Institute of Technology." HAYDN: Online Journal of the Haydn Society of North America, Issue 6.1 (Spring 2016). (2016). Web.
Published Review
Ruhling, Michael E. "Book Review: Raymond Knapp, Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism." Rev. of Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism., by Raymond Knapp. HAYDN: Online Journal of the Haydn Society of North America 1 May 2018: Reviews. Web.
National/International Competition Award Winner
Ruhling, Michael E. and RIT Press. Association of American Publishers. PROSE Award for Innovation in Journal Publishing, Humanities and Social Sciences. New York, NY, 2018.

Currently Teaching

PRFL-250
3 Credits
This course explores the creation, performance, and reception of music within the context of Western cultural, religious, political and artistic ideals, and related non-Western traditions, from Greek antiquity to ca. 1750. Topics of exploration include the development of musical notation, musical instrument technology, the interrelationships of music theorists, composers, performers, patrons, and audiences, music as a communicative and expressive art, aesthetics, and musical analysis and criticism.

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