Meredith Davenport Headshot

Meredith Davenport

Associate Professor, Photo Arts and Sciences

School of Photographic Arts and Sciences
College of Art and Design

Meredith Davenport

Associate Professor, Photo Arts and Sciences

School of Photographic Arts and Sciences
College of Art and Design

Education

BFA, Rochester Institute of Technology; MFA, Hunter College


Areas of Expertise

Select Scholarship

Invited Article/Publication
Davenport, Meredith. "“Midtown Plaza Portfolio”." Afterimage. (1015). Print.
Davenport, Meredith. "Memory City." Afterimage. (2014). Print.
Shows/Exhibits/Installations
Davenport, Meredith. Theater of War. 1 Apr. 2015. UnionDocs, New york. Exhibit.
Davenport, Meredith. Rick's Heart. Nov. 2015. Visual Studies Workshop Project Space, Rochester. Exhibit.
Davenport, Meredith. Compartmented. 7 Dec. 2015. The Sunday School Space, Rochester. Exhibit.
Davenport, Meredith. Theater of War. Sep. 2015. Fringefest/ Gallery R, Rochester. Exhibit.
Full Length Book
Davenport, Meredith. Theater of War. First ed. Bristol, United Kingdom: Intellect Ltc., 2014. Print.
Journal Paper
Davenport, Meredith. "Theater of War." Visual Communication Quarterly Volume 21 No.4. October-December 2014 (2014): 236-243. Print.

Currently Teaching

PHAR-203
3 Credits
This course will serve as an introduction to visual story telling as it relates to professional photojournalism. It will provide relevant practice in basic technical, compositional, and interpersonal skills necessary in all aspects of modern photography. Students will be exposed to photojournalism - documentary, editorial, narrative, and editing - as well as explorations of current career possibilities. Lectures, critiques, demonstrations, and assignments will provide participants the opportunity to explore the still, audio, and multimedia strategies used for storytelling. In this course students are expected to meet real-world project deadlines and participate in class discussions and critiques.
PHAR-599
1-3 Credits
Photography Independent Study will provide students with the ability to study in a specialized area with an individual faculty member. Students, with the assistance of a faculty adviser, will propose a course of study. Photography Independent Study students must obtain permission of an instructor and complete the Independent Study Permission Form to enroll.
PHFA-501
3 Credits
Photography is in a perpetual state of flux due to constant changes in practices and technology. Studio Topics in Fine Art Photography will provide students with the opportunity to explore select topics through photography and image making. The content taught in this course will change frequently and the course may be repeated for credit, however each “topic” may be taken for credit only once.
PHGR-601
3 Credits
This workshop will allow students to participate in small classes discussing and experimenting with various media, techniques, and practices in the studio. Topics may include experimentation with specialized technology, analog historical processes, installation, or refining a body of work in print, moving image, or book form. The content of the workshop will vary depending on the instructor. This course can be taken multiple times, but individual topics must be different.
PHGR-799
1-4 Credits
An independent study allows graduate students in the Photography and Related Media program the ability to study in a specialized area with an individual faculty member. Students, with the assistance of a faculty adviser, should propose a course of study or project with clearly defined goals and outcomes. Students must obtain permission of an instructor and complete the Independent Study Permission Form to enroll. **NOTE: Student must have a minimum 3.0 GPA *
PHPJ-455
3 Credits
This course will provide students with advanced multimedia techniques and introduces photographers to storytelling and reporting using still cameras with video and sound capture features. Students will research and produce multimedia work in class.
PHPJ-466
3 Credits
This course provides photography students the unique opportunity to participate in a one-week intensive workshop that travels to Washington, D.C., the center of the photojournalism business outside of New York City. The purpose of the trip is to provide a broad view of documentary and editorial photography in the industry and give students an idea of the wide variety of potential job markets that exist for documentary/editorial work. Students will meet with a variety of photographers, photo editors, and designers, including RIT alumni, while visiting print and online publications (magazines and newspapers), governmental agencies, photo agencies, photography studios, galleries, and museums. **Fee: A special course fee will be assessed**

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