College of Art and Design News
Metals and Jewelry Design Option - Studio Arts BFA

Ricky Figueora taking over as the new director of RIT's School of Film and Animation headlines exciting promotions and additions to the College of Art and Design faculty.

As a young professional, Cece Plympton '25 is carrying out responsibilities that align with the initial goals they established at RIT as a sales associate at J. William Jewelers.

Between a moving performance, building an award-winning iron-melting device, and featured exhibitions, RIT students, faculty, staff and alumni were present in every corner of the National Conference on Contemporary Cast Iron Art and Practices.

WITF interviews RIT alumna Stephanie Perrotti '06 (metals and jewelry design) about her past involvement crafting Super Bowl trophies with Tiffany & Co.

Seven metals and jewelry design students and recent alumni exhibited their work during Milano Jewelry Week, with four of their pieces being selected as "winners" at the Talent Show event.

Students leveraged the variety of makerspaces in RIT's brand-new SHED facility to create arts-integrative work responding to a theme of "Play."

The New York Times talks to Elizabeth Kronfield, director of the School of Art and the School for American Crafts, about the rising interest in blacksmithing.

The College of Art and Design welcomed 226 young artists to campus for its National Portfolio Day event, where prospective students met one-on-one with faculty about their artwork and different programs.

The College of Art and Design welcomes new hires to its faculty roster while longtime faculty Alex Lobos assumes a role as director of the School of Design.

RIT's College of Art and Design faculty, along with those at 25 other top art and design schools, reviewed students' portfolios as they prepared their artwork for the college admissions process.

Nate Rohman, academic advisor for RIT's graphic design and studio arts BFA programs, will be honored April 12 at the Celebration of Teaching and Scholarship ceremony.

In virtually every art course and studio environment at RIT, technology is integral to the delivery of content and production of work, whether it’s an “ancient” technology like using a hammer and anvil to forge metal or a computer numerical control plasma table to cut metal forms.