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Form, function, and experience tell a story of considered design and the best possible outcome. The industrial design master's will enhance your career success by further developing your knowledge in design processes and technology. This project-based program allows you to explore design theory, design history, and human-centered design. You will conduct unique research on various topics of interest, which will further your understanding of the industry and society. As you conclude your studies, you will obtain hands-on experience in technical competence, analytical thought, sustainability, and transdisciplinary collaboration, all key to fueling your career.
RIT's Master's in Industrial Design
The industrial design MFA is for career enhancement or redirection. The educational experience is project-oriented, requiring research into design methods and technologies. Cross-disciplinary collaboratives provide an experiential dimension.
The first year of study includes seminar courses in design history and research, which are common to all graduate students in the School of Design. In addition, studio courses involve extensive design work with respect to sustainability, design process, the meaning of artifacts, and critical analysis. Additional course work using three-dimensional software for modeling and fabrication fills out the program.
In the second year students conduct research and develop a thesis project, which is presented in a graduate thesis exhibition or presentation, and is documented in a written thesis report.
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Discover how graduate study at RIT can help further your career objectives.
What makes an RIT education exceptional? It’s the ability to complete relevant, hands-on career experience. At the graduate level, and paired with an advanced degree, cooperative education and internships give you the unparalleled credentials that truly set you apart. Learn more about graduate co-op and how it provides you with the career experience employers look for in their next top hires.
Co-ops and internships take your knowledge and turn it into know-how. Your art and design co-ops will provide hands-on experience that enables you to apply your artistic capabilities in dynamic professional settings while you make valuable connections between classwork and real-world applications.
Cooperative education, internships, and other experiential learning opportunities are encouraged for graduate students in the MFA in industrial design.
Creative Industry Day
RIT’s Office of Career Services and Cooperative Education hosts Creative Industry Day, which connects students majoring in art, design, film and animation, photography, and select computing majors with companies, organizations, creative agencies, design firms, and more. You'll be able to network with company representatives and interview directly for open co-op and permanent employment positions.
Traditional Paraguayan textiles were used to create a small tableware collection for typical dishes.
RIT industrial design students partnered with Autodesk for the program’s 2023 T-Minus workshop, which annually challenges teams of students to complete a sponsored project in a one-week span. Students...
This course explores the use of computer-aided design (CAD) and other related technologies as tools for designing, modeling, visualizing, simulating and fabricating design solutions. Emphasis is given to the combination of digital and analog technologies, and the workflows for using them effectively in design process. (This class is restricted to degree-seeking graduate students or those with permission from instructor.) Studio 6 (Fall, Spring).
Design Laboratory I
Design Laboratory I is part one of a studio sequence that provides a forum for discourse and experimentation in design. Critical analysis, contextual relevance and research methodologies are developed and used as a means to define the role of design and the designer in creating consequential solutions for the social, economical and environmental betterment of the global communities. Projects will extend these ideas into the practice of industrial design as a mode of understanding the relationships that exist between the user, the community and the designed artifacts. Opportunities for inter and trans-disciplinary collaborations will broaden the scope of the projects. We will design through a process of iteration and reiteration, empathic exploration, and the development of the physical artifacts. Categories of products may include: consumer goods, equipment, transportation, furniture, or packaging. (This course is restricted to students in IDDE-MFA.) Lab 3, Lecture 2 (Fall).
Design Laboratory II
This course is the second of a two-course studio sequence that provides a forum for discourse and experimentation in design. Course continues the methodology established in Design Laboratory I, and extends the scope to human-centered concepts, artifacts and systems at both local and global levels. Assignments will include topics such as: responsible design practices, universal design, environmental sensibility, project management and fabrication. (Prerequisites: IDDE-701 or equivalent course and a student in the IDDE-MFA program.) Lab 3, Lecture 2 (Spring).
Function of Form
The first of a two-semester sequence, this course emphasizes the experience of seeing, developing, and manipulating three-dimensional forms and compositions. Projects focus on developing the ability to see, organize, and understand the ambiguity inherent in the design process through the study of three-dimension design elements, the analysis of their relationships and the subsequent sensory responses. (This course is restricted to students in IDDE-MFA.) Studio 6 (Fall).
Form of Function
The second of a two-semester sequence, this course emphasizes the technical skills necessary to manipulate material and data for the accurate three-dimensional communication of design intent. Projects focus on understanding the relationship of materials, manufacturing processes, products and the user. (Prerequisites: IDDE-703 or equivalent course and a student in the IDDE-MFA program.) Studio 6 (Spring).
2D Ideation and Visualization
The first of a two-semester visualization sequence, this course focuses on developing the skills and methods necessary to generate, visualize and define design concepts in two-dimensions, in both analog and digital formats. Assignments may include orthogonal views, perspective drawings and descriptive illustrations, as means to develop and communicate design solutions. (This course is restricted to students in IDDE-MFA.) Studio 6 (Fall).
Integrated Design Visualization
The second of a two-semester visualization sequence, this course further develops analog and digital visualization techniques, while expanding on graphic and three-dimensional components needed to create effective presentations and the workflows to achieve them. Assignments will also include crafting visual and verbal presentations that synthesize the concepts developed. (Prerequisite: IDDE-705 or equivalent course.) Studio 6 (Spring).
Industrial Design History, Theory and Culture
This course explores key moments in industrial design’s evolution from multiple angles: historical, theoretical, technological and cultural. While the emphasis is on industrial design, other integral design disciplines (i.e. visual communication, UX, systems, service, etc.) will be discussed. This combination of perspectives provides deeper understanding of how design addresses needs and wants of society, commerce, and environment beyond euro-centric contexts. Students are expected to read seminal design articles, write critical essays and questions and to participate in discussion groups. Lecture 3 (Fall or Spring).
Design Research and Proposals
This course focuses on developing research skills in the field of design. Emphasis is placed on an exposure to a wide range of methods, research sources, data collection, and evaluation. Students will select and plan a design research topic, conduct a search for background material, construct a proposal, and defend their research topic. (This course is restricted to students in the VISCOM-MFA, GRDE-MFA, CMGD-MFA and IDDE-MFA majors and other CIAS and RIT graduate students with permission of instructor.) Lecture 3 (Spring).
Graduate ID Studio I
This is the first part of a two-course series that provides opportunities for fine-tuning of design process and development of meaningful solutions across multiple scenarios. Projects and assignments will explore the application of design methods and skills. Projects will also address large-community and global problems requiring team-based, trans-disciplinary collaborations. (This course is restricted to students in IDDE-MFA.) Studio 6 (Fall).
Graduate ID Studio II
This is the second part of a two-course series that provides opportunities for fine tuning of design process and development of meaningful solutions across multiple scenarios. Projects and assignments will expand on the application of design methods and collaboration. Course content will integrate current and emerging technologies that influence design practice as well as society and culture. A strong focus will be on the testing and implementation of design solutions in effective ways. (This course is restricted to students in IDDE-MFA.) Studio 6 (Spring).
Thesis: Research and Planning
The first of a two-course thesis sequence, the focus of this course is on establishing content, planning, scheduling, and research seeking innovative solutions through the process of concept development, ideation, and in-process evaluation. Final articulation of the project is approved by a faculty committee, presented in a graduate thesis show and accompanied by a written document that addresses how the theories and methods used in the project impact the current and future state of design in society. (Enrollment in this course requires permission from the department offering the course.) Thesis (Fall).
Thesis: Implementation and Evaluation
The second of a two-course thesis sequence, this course focuses on continued concept development of a thesis, concluding with the implementation and retrospective evaluation of chosen design problem. Solution is presented in a public exhibition, complemented by a written articulation of how the theories and methods employed in the project impact the current and future state of design in society. (Prerequisite: IDDE-790 or equivalent course.) Thesis 9 (Spring).
Art History Elective*
Total Semester Credit Hours
* Art History Elective refers to any graduate level non-studio course searchable in SIS with the Art History attribute of ARTH.
Admissions and Financial Aid
This program is available on-campus only.
February 1 priority deadline, rolling thereafter
Full-time study is 9+ semester credit hours.
Part-time study is 1‑8 semester credit hours.
International students requiring a visa to study at the RIT Rochester campus must study full‑time.
To be considered for admission to the Industrial Design MFA program, candidates must fulfill the following requirements:
International applicants whose native language is not English must submit one of the following official English language test scores. Some international applicants may be considered for an English test requirement waiver.
International students below the minimum requirement may be considered for conditional admission. Each program requires balanced sub-scores when determining an applicant’s need for additional English language courses.
Many creators are hesitant to embrace artificial intelligence (AI) as part of the artistic process. Opting to dive in head first, industrial designers Juan Noguera and Paolo Cardini are interested in the new technology’s potential to provide more autonomy for traditional artisans across the globe.
For this semester's Metaproject industrial design initiative, students will work with RIT President David Munson to design concepts for a series of outdoor, hands-on museum installations for the Henrietta campus. The outdoor installations will tell the story of RIT in a way that is immersive and engaging to passersby on campus. Each student is tasked with creating a concept for one of the 14 installations.