Andy Head Headshot

Andy Head

Assistant Professor

Department of Performing Arts
College of Liberal Arts

Office Location

Andy Head

Assistant Professor

Department of Performing Arts
College of Liberal Arts


BS, Bradley University; MFA, Michigan State University


Andy Head is an Assistant Professor working with both the College of Liberal Arts Theatre Arts Program and the NTID Department of Performing Arts. Since joining RIT/NTID, he has directed "Love’s Fire: Seven Plays Inspired by Seven Shakespearean Sonnets" (2016), an adapted version of "Peer Gynt" with the RIT Orchestra (2017), "Stupid F*cking Bird" (2018), "Cabaret" (2018), and "I and You" (2019). "I and You" was selected to perform at the Kennedy Center American College Theatre Festival for Region 2 in January 2020 and won a 2020 Outstanding Ensemble Production award from the KCACTF National Committee. 

Andy completed his graduate studies in Acting at Michigan State University. While there he developed interests in Shakespeare’s work, the canon of American dramatists, devised theatre, and using theatre as a tool for community outreach. Andy has acted professionally with the Michigan Shakespeare Festival, New Harmony Theatre, Summer Circle Theatre, and the Williamston Theatre. Most recently, he's appeared locally in the Rochester Fringe Festival, at the Wallbyrd Theatre Company, and with Blackfriars Theatre.

Andy also carried his theatre outreach work to Ghana, where he served as a Peace Corps Volunteer for two years and created educational theatre pieces with members of his community. Before joining the RIT faculty, Andy taught for the Performing Arts Department at the University of Southern Indiana.

Courses Offered:
Introduction to Theatre
Introduction to Theatre Online
Introduction to Performing Arts
Traditions of Theatre in the US
Traditions of Shakespearean Theatre
Museum Theatre
Fundamentals of Acting
Devising Theatre
Theatre Ensemble
Performative Communication
Dramatic Theory & Text Analysis
Experiential Learning in Performing Arts 


Select Scholarship

Peer Reviewed/Juried Poster Presentation
Gunderson, Lauren. "Invited Production: I and You." Proceedings of the Kennedy Center American College Theatre Festival - Region 2 Festival 52; University of Maryland: January 14-18, 2020. Ed. Andy Head. College Park, Maryland: n.p..
Kander, John, Fred Ebb, and Joe Masteroff. "Invited Scene: Cabaret." Proceedings of the Kennedy Center American College Theatre Festival - Region 2 Festival 51; Montclair State University; January 15-18, 2019. Ed. Andy Head. Montclair, New Jersey: n.p..
National/International Competition Award Winner
Head, Andy. Kennedy Center American College Theatre Festival National Committee. Outstanding Production Ensemble for "I and You". Washington, DC, 2020.
Invited Keynote/Presentation
Head, Andy, Victoria Covell, and Kendell Charles. "Deaf Actors, Hearing Director: Tackling Challenges in Adaptation." Region 2 - Festival 52. Kennedy Center American College Theatre Festival. College Park, MD. 18 Jan. 2020. Conference Presentation.
Head, Andy. "From the Director’s Notebook: Conceptualizing Theatrical Worlds for Deaf and Hearing Characters." 41st Annual Mid-America Theater Conference. MATC. Chicago, IL. 8 Mar. 2020. Conference Presentation.
Head, Andy, et al. "Blurring Boundaries and Dissolving Silos: Developing an XR Museum Project in Collaboration." Educators in VR Series. Educators in VR. AltpaceVR, VR. 20 Oct. 2020. Guest Lecture.
Head, Andy, et al. "SOMNIUM" VR Demo." Frameless Labs Symposium. Rochester Institute of Technology. Rochester, NY. 19 Nov. 2020. Conference Presentation.
Head, Andy and Omen Sade. "Into the Unknown!: Digital Theatre and Boldly Going Forward with "SOMNIUM"." Frameless Labs Symposium. Rochester Institute of Technology. Rochester, New York. 20 Nov. 2020. Conference Presentation.
Gunderson, Lauren. "I and You". 25 Oct. 2019. LBJ-1510 Lab Theatre, Rochester. Performance.

Currently Teaching

3 Credits
The course is designed to provide students with a foundation in major dramatic and performance theories including works by Aristotle, Stanislavsky, Brecht, Grotowski, and a variety of other contemporary theorists and practitioners. In addition to surveying the work of key dramatic and performance theorists and theories, the course will engage students in the application of these theories in the study and analysis of play texts from a variety of periods, genres and cultures. Students will analyze these texts from the perspective of both the logistic and aesthetic requirements of production (as actors, directors and designers).
3 Credits
This course will introduce students to the history and theory of acting in Western Culture from the late 19th century up to the present day. Particular focus will be paid to the theories of Stanislavsky and Stanislavsky-based approaches along with complementary and contrasting methods developed by such theorist/practitioners as Jerzy Grotowski, Lee Strasberg, and Sanford Meisner. Students can expect a course that combines lecture/discussion with practical exercises designed to apply concepts and theory using acting techniques designed to strengthen vocal and physical expression and to stimulate the imagination. In addition, actors will be introduced to scene work and develop skills for text analysis as a basis for character development. Assessment will include quizzes, papers, and in-class participation in exercises and scene work. As an introductory course, the course objectives are to provide students with a broad survey of the aesthetics, theory, and practice of acting.
3 Credits
An introduction to theatre as a performing art. Students develop skills in reading, analysis and evaluation through an examination of theatre’s forms, constituent elements, and its cultural, stylistic and historical development.
3 Credits
Devising theatre is a collaborative process in which a group of individuals produce a wholly new or adapted piece of theatre. This course is a hands-on exploration of that collaborative process and places students at the center of their own artistic expression. Through a series of class discussions and lectures, readings, writing assignments, creative exercises, brainstorming sessions, and acting workshops, students will learn about the history and theories of devised theatre as a tool for social change, while also generating their own theatrical pieces for individual and group presentation. Above all, this course fosters an ensemble-building atmosphere and imparts to students the importance of teamwork and communication in working toward a shared goal.
1 Credits
The Theatre Ensemble is an experiential-learning course in which students will have various opportunities to apply theoretic knowledge to practice through participation in a faculty mentored or faculty directed theatre production on campus. Course content will include CLA main stage productions, as well as other ensemble productions that perform or develop theatre performances covering a range of genres, periods and cultures. Students will be expected to write, create and/or analyze texts as well as participate as actors, designers, and technicians.
1 - 3 Credits
This course applies technical, performing, script analysis, stage management, and other skills to an actual theatrical production. Students contract with a department mentor for responsibilities and the appropriate credit expectations. In addition to production responsibilities, students are expected to complete reading and writing assignments connected to the production. This course is repeatable for credit.

In the News

  • April 9, 2021

    several students filming a student in front of a green screen.

    ‘She Kills Monsters: Virtual Realms’ premieres April 16-18

    RIT/NTID presents “She Kills Monsters: Virtual Realms,” for four performances, next Friday through April 18. While the audience will watch virtually, the actors will be performing live in several “actor stations” in Lyndon Baines Johnson Hall and its Robert F. Panara Theatre.

  • June 25, 2020

    students performing a play in a set that looks like a college dorm room.

    RIT theater production receives Kennedy Center award

    I and You, a collaborative production between NTID's Department of Performing Arts and the College of Liberal Arts Theatre Arts Program, has won a 2020 Outstanding Production Ensemble award from the Kennedy Center American College Theater Festival.