News by Topic: Galleries

Renovation work inside RIT’s College of Art and Design—including key areas within the internationally recognized School of Photographic Arts and Sciences—is part of a five-year masterplan that has already begun to renovate, rejuvenate, and transform spaces to meet the growing demands for a college that serves as the university’s intersection of technology, art, and design.

A virtual opening reception for the Dyer Arts Center’s newest exhibit will take place from 7 to 8:30 p.m. Friday, Feb. 26, via Zoom. The exhibition “This is Not Normal: Deaf Modernist Sensibilities,” will showcase Surrealism and other works within the broader genre of Modernism by Deaf artists.

Political cartoons from Rochester, N.Y., newspapers from the early 20th century are the focus of a virtual exhibit hosted by RIT Libraries’ Archives Collections and explores three timely topics—voting rights to epidemics and economic uncertainty. The virtual exhibit opening takes place Oct. 7.

ArtNews features work by artist Christine Sun Kim ’02 (applied arts and sciences).

Normally lined with exhibits showcasing the talents of RIT faculty, students, and alumni, three RIT galleries are instead outfitted this semester with the desks and technology necessary to meet the academic needs of hundreds of first-year College of Art and Design students. The University and Bevier Galleries inside Booth Hall and the William Harris Gallery in Gannett Hall have been transformed into creative classrooms.

For Metaproject 11, senior industrial design students will spend the semester designing products for Staach, which focuses on functional sustainable design. Founded by Seth Eshelman '06 (industrial design/graphic design), the company designs and domestically manufactures sustainable products including furniture, interiors, and built structures.

The roles of some of the country’s leading Black Deaf artists will be discussed in a Zoom webinar on Saturday, July 25, sponsored by the Dyer Arts Center at NTID. The virtual panel discussion, “Respeck Our Black Deaf Arts,” will explore Black Deaf artists’ roles in the arts, what inspires them to create in response to the #BlackLivesMatter movement, and the national conversation about race, the future of the Black Deaf arts, and more.

Josh Owen, an internationally renowned designer, author and faculty-researcher who has led RIT’s industrial design program to national prominence since coming to the university a decade ago, has been named the new director of the Vignelli Center for Design Studies and the Massimo and Lella Vignelli Distinguished Professor of Design.

A traveling exhibit that calls upon craft as a creative force in voicing dissent and expressing hope in an era of political disruption is making its first-ever stop at RIT over the next month.

Contemporary stained glass panels with edgy narratives and unapologetic heroines are the subject of a major exhibition at the Memorial Art Gallery and its companion catalogue published by RIT Press. "The Path to Paradise: Judith Schaechter’s Stained-Glass Art" celebrates the first survey and major assessment of the artist’s nearly 40-year career.

Bright reds, blues and yellows, displayed alongside stark black-and-white linocut prints are the trademarks of the latest exhibit at the NTID’s Dyer Arts Center. “20/20: A Two Person Show,” running through Feb. 22, features the eye-catching works of artists Nancy Rourke and David Call, two artists with deep roots in the De’VIA (Deaf View Image Art) art movement.

WROC-TV talks to Patti Durr, associate professor at NTID, and Tabitha Jacques, director of the Dyer Arts Center, about the ehibit “De’VIA: The Manifesto Comes of Age” at the Memorial Art Gallery.